A Quote by Karen Mason

I get to work with people I love who challenge and inspire me. And I get to sing songs that do that same thing! — © Karen Mason
I get to work with people I love who challenge and inspire me. And I get to sing songs that do that same thing!
I'm a very lucky man. I get to do the thing I want most in life, write songs and sing them for people, and ride bikes. I love my family. I love my home. I get to work with people I've admired my whole life. It's a pretty good life.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
I love my lecture tours. I get up onstage. I have my stack of books and a glass of water and a microphone. No podium, no distance between me and the audience, and I just talk to people and get all excited and tell a lot of jokes, and sing some songs, and read from my work and remind people how powerful they are and how beautiful they are.
The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.
Playing is no challenge; every time that you get a role you get to go play with other people in the sandbox and so there is no challenge, real challenge. The challenge, the major challenge is getting the work, finding the sandbox.
I'm the perfect amount of guarded. I don't reveal too much, and I never reveal who the songs are about. They are real life. People get that. I date a lot of musicians and they do the same thing. People that work with me - who I write about too - they get it. It's my creative outlet, my therapy.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
The one thing I've learned in the last ten years is that successful artists don't get paid to write and sing songs, they get paid for the psychological roller coaster they're going to have to ride. That's the hard work.
The thing running through me is the same thing that writes songs. It's the fighter about to get into the ring. It's like, I'm not here to entertain you; I'm here to get this out, whatever it is.
I get to do my own thing with music. I get to write the songs and sing the songs. As an actor, you have to do what someone else tells you to do and say someone else's words. And you're limited by the way you look and music is just more rewarding creatively for me.
Even though I travel considerably, I hardly get to see a thing when I am out on tour. It's always the same routine: I get into some town. They lead me to the hotel. I eat. I put on lipstick. Then I go to the club, talk real dirty, sing a few songs and go home. Not a bad way to make a living.
To me, it's pretty much the same thing - I just love playing music. But the cool thing about DJing is that I get to play other people's music, I can mix it up between our songs and a variety of musical genres. It also enables me to be more intimate with the audience.
I don't want to sing about going to a party with friends, I want to sing meaningful songs that can inspire people and I think Sia's songs are really deep. 'Chandelier' is about young girls who think they have to please others to be loved and that really touched me.
I had this talent for these stupid little teenage songs. I just couldn't get anyone to sing my songs, so I had to sing my own tunes. ... The thing is to be able to outlast the trends. ... They are actually manufactured entertainment groups. They are a product of technology. What you are listening to is technology.
I love to sing big rock and roll songs; I love to sing country-pop stuff, and then I love to sing soft, sadder beautiful songs.
I love expanding people's musical horizons, because daytime radio can be so generic and people get sucked into listening to the same crap all the time. Sometimes it just takes one simple little thing to actually inspire people to branch out a little more.
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