A Quote by Karen O
My onstage persona really is a persona, you know, and really the moment I step onstage, it kind of kicks into gear.
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I believe the best persona to be onstage is the one that comes naturally.
A lot of people mistake the persona that I create in poetry and fiction with me. A lot of people claim to know me who don't really know me. They know the work, or they know the persona in the work, and they confuse that with me, the writer. They don't realize that the persona is also a creation and a fabrication, a composite of my friends and myself all pasted together.
I think I spent a lot of my mid-twenties thinking it was a problem of my onstage persona. But, actually, it was my actual personality. I was still working out what kind of person I was.
As a rapper, you sort of act in music videos and in the persona you adopt onstage. You kinda have to put yourself out there and be courageous even to be a rapper. So, to step into acting was not that difficult a transition to make.
When I was a kid in San Diego, I would read fashion magazines and Interview magazine, and all of that really inspired me to create a persona. So by the time I moved to New York, in the early '80s, I'd learned how to create a persona, and I knew what my persona would be.
I had a persona as a player, and I know this will come as a shock, but I liked to talk. But don't let the persona overshadow the person. The persona liked to have fun. The person knew when it was time to get to work.
In underground music, there seems to be this real inability for people to express themselves in any kind of heroic or mythological way. There's this idea that we're all normal joes, and that creating a persona onstage or having schtick is somehow false and misleading and evil.
It's not until you develop your own voice, your own persona onstage that you become your own comic, who you really are.
I think it would be really brutal to put on a persona and get famous for that persona. Like, 'I'm number one, I'm the best!' because that sounds like a lot of pressure.
I have a big persona onstage sometimes, but offstage, I'm super shy. Like, I don't want to perform for people - I'd rather die than sing in a room for someone.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
I think people just find it remarkable that a high court justice would step out from behind the bench and have a persona that's not the traditional, stodgy, fuddy-duddy persona, but actually comes across as authentic and engaging.
Generally speaking, people who know me will tell you that my public persona is not that different from my private persona.
I think my perception of my own life is different and the fact that Lauren and myself are together. I've never felt this free or happy and so that permeates onto my onstage persona and to my working environment.
I always say, 'Hip-hop takes me everywhere.' It's crazy when I step onstage, and people might not speak much English, but they know every word to your songs. It's kind of freaky, but it's really cool.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.
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