A Quote by Karen Russell
Somehow I wasn't adding up right anymore. My parts weren't summing into myself.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there's more than 808s in the universe.
It has been said: The whole is more than the sum of its parts. It is more correct to say that the whole is something else than the sum of its parts, because summing up is a meaningless procedure, whereas the whole-part relationship is meaningful.
It started when I woke up, all I wanted to do is jump out of the window. I didn't want to eat anymore, because I was afraid that I might poison myself somehow.
I feel like within each of us is a million different people that we could reveal and that we can be sometimes... And for me, the process of acting isn't so much about finding the person outside of myself and mimicking them but, rather, releasing parts of myself and adding them to the character.
With most of my books, there are some parts that pop up right away, and other parts I have to wait for.
I am not a romantic leading man anymore so I don't need to nurture that public image anymore. I can talk about it now because I'm not afraid anymore . . . When I grew up, being gay, being sissy or anything like that, was verboten. I disliked myself intensely and feared this part of myself intensely, and had to hide it and became 'Perfect Richard, All-American Boy' as a place to hide.
No one else writes like Gord Downie, so it's difficult to compare him. He can work in the abstract and still somehow be really specific. He lets parts of his consciousness in that most writers aren't able to do, myself included. I don't feel like I have that access to the surreal and the somehow beautifully meaningful non-sequitur - that fits perfectly. I can never figure that out, how he does that.
For the book to succeed, it has to have equal parts ugliness and beauty, counterpoints adding up to emotional complexity. To me, there's a dignity in letting your art be emotionally complex.
Starting now, you're just starting to see a glimmer of what the idea of West will mean. So right now, at this age and with this visibility and with the skill sets that Kim is now giving me, I think I have a good chance of success in building something that has longevity, high integrity, high success rate, and is very fulfilling, not only for me creatively but also in adding fulfillment to people's lives. Adding ease. Adding wonder. Adding magic.
The challenge in any musical is unifying all the moving parts of it, in particular a movie musical because now you're adding the camera and you're adding the idea of adaptation. So the challenge is to stay as true as you can to the material that you love and yet not be afraid to step outside of it and introduce elements into it that make it exist in a satisfying, exciting way cinematically.
Not only am I at a decent fighting weight already, I don't let myself balloon anymore. I let myself get up to 280, 290 before. I can't believe I let myself do that.
Try to keep your soul young and quivering right up to old age, and to imagine right up to the brink of death that life is only beginning. I think that is the only way to keep adding to one's talent, and one's inner happiness.
The biggest parts of healing and making myself whole is to accept all of the many parts of myself.
I just write what I want to read, and sometimes keeping it interesting means adding one more element that ends up adding another year to the work.
The irony or humor of my pieces is never really calculated, but they somehow always end up that way. Humor, especially when dealing with matters of extreme gravity, has a way of toppling set ideas and opening up new modes of interpretation. Furthermore, adding humor tends to shift the power balance.
I dream of summing everything up in the greatest sentence ever written.
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