A Quote by Karen Russell
Whenever someone asks me about fantasy versus realism, I'm like, "I don't know, guys. Did we not all just descend into some underworld, watch strangers from our past kaleidoscope through us according to some pattern that is both illogical and has its own strange melting truth, and then wake up and have a Pop-Tart?" Why are we talking about fantasy and reality like they're opposed?
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Nightmares are a strange thing. Your worst fear is sometimes something you enjoy thinking about, for some strange reason. I don't know why that is, but it's some kind of fantasy that people play out. "What would I do to protect my children? I'd do anything." And then, you watch it play out. I'm petrified of such a thing.
So today if you see a person who looks like your teenage fantasy walking down the street, it's probably not your fantasy, but someone who had the same fantasy as you and decided instead of getting it or being it, to look like it, and so he went to the store and bought the look that you both like. So forget it. Just think about all the James Deans and what it means.
All entertainment is an element of fantasy because you are seeing something that is not quite real. There is no such thing as reality TV. Reality TV would be to leave a camera on in front of someone's house. Just leave it on. Then whenever the person comes or goes walking the dog or getting groceries, that's what it would be like. Any time you make an edit, you've lost reality TV. You're either compressing time or extending. That's a term that's been overused and overexposed. I think it's fantasy movies that take the fantasy of movies even further.
Guys are playing fantasy football; some guys I think even play fantasy baseball. I don't get involved with it. I have five kids; I just don't have time. Not that anything's wrong with the fantasy, but I just don't have time for it with my lifestyle.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
I played one year of fantasy football in high school. You really get into it. It makes more fans of the NFL, and people love talking about it. They'll come up to me and say, 'Why did you throw an interception? You ruined my fantasy team!' Or they're happy because they got you for a bargain.
Why are you messing with the fantasy? We know about the reality. Don't ruin the fantasy, OK?
Some people think elections are a game: who's up or who's down. It's about our country. It's about our kids' future. It's about all of us together. Some of us put ourselves out there and do this against some difficult odds. We do it, each one of us, against difficult odds. We do it because we care about our country. Some of us are right, and some of us are not. Some of us are ready, and some of us are not. Some of us know what we will do on day one, and some of us haven't thought that through.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
Art as a fantasy has been one of my earliest experiences. I suppose a lot of my childhood was a fantasy that involved getting away from things I didn't like. Fortunately it had some relationship to reality so that later I was able to, to some extent, act as I imagined I might.
My first three manuscripts were epic fantasy - like high fantasy - and then the fourth one was a historical fantasy about Mozart as a child. I still have a soft spot for that one!
Don't get me wrong, hard and soft fantasy stories can both be good. But you need to know which camp you're in. I'm into realism. I'm a hard fantasy guy.
I can't say that fantasy instead of the 3D world is fine or good, but I know in my own life I have certain people I've kind of fixated upon to the point of pure fantasy. Then there's such a dilemma when here they are, and they're getting ever less and less like the way the fantasy has them.
I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing.
Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
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