A Quote by Karen Thompson Walker

It took me years to learn that sentences in fiction must do much more than stand around and look pretty. — © Karen Thompson Walker
It took me years to learn that sentences in fiction must do much more than stand around and look pretty.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Two things seemed pretty apparent to me. One was that in order to be a pilot a man had to learn more than any one man ought to learn; and the other was that he must learn it all over again in a different way every 24 hours.
If you just casually look at a baby, it doesn't look like there's very much going on there, but they know more and learn more than we would ever have thought. Every single minute is incredibly full of thought and novelty. It's easy as adults to take for granted everything it took to arrive at the state where we are.
'Alice' took over two years to make and took a great deal of planning, obviously much more than usual. We spent so much more time prepping the film, and that was unique for us.
I can think of very few science books I've read that I've called useful. What they've been is wonderful. They've actually made me feel that the world around me is a much fuller, much more wonderful, much more awesome place than I ever realized it was. That has been, for me, the wonder of science. That's why science fiction retains its compelling fascination for people. That's why the move of science fiction into biology is so intriguing. I think that science has got a wonderful story to tell.
There are innumerable writing problems in an extended work. One book took a little more than six years. You, the writer, change in six years. The life around you changes. Your family changes. They grow up. They move away. The world is changing. You're also learning more about the subject. By the time you're writing the last chapters of the book, you know much more than you did when you started at the beginning.
To be a science fiction writer you must be interested in the future and you must feel that the future will be different and hopefully better than the present. Although I know that most - that many science fiction writings have been anti-utopias. And the reason for that is that it's much easier and more exciting to write about a really nasty future than a - placid, peaceful one.
Came to acting pretty late. It looked wonderful, but I guess I was intimidated by my father. I look a bit like him, and he was so much bigger than life and so great, it took me a bit longer than most people to have enough confidence in myself.
For me, I'm always looking for opportunities to work with people who are better than me, who are more experienced than me, people from whom I can learn. And who could I learn more from than someone with an unprecedented movie star career that has spanned over thirty years whose name is Tom Cruise?
It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper.
I got a very late start at fatherhood. I'm a late bloomer in general. It took me seven years to get through four years of college. I was five years away from 40 before I had a family, and I had never been around kids much at all. All of a sudden, I was around three boys all the time.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
What people don't realize is that I've been trying to get to Bethlehem since I was four years old. By that, I mean I've been trying to attain perfection since I was kid. And it took me more than 40 years to learn that it wasn't going to happen.
I was just sort of young and went with the flow. It wasn't like I was 6 and knew I wanted to be an actor. I was thinking more along the lines of, I'm 6. When I was 20 I realized, I've never really thought about what I want to do. So I took a bunch of time off, stopped answering my phone, stopped doing anything. I'm pretty sure this is what I want to do, but I needed to be sure. It took me about two years to come around.
I was a teacher most of my life, which I loved. I had a very happy working life, and when I retired, I thought I must do something, and I've always read a lot of fiction - you learn so much from fiction. My sentimental education came mostly from fiction, I should say, so I thought I'd try.
Today I am so at home in Dublin, more than in any other city, that I feel it has always been familiar to me. But, as with Belfast it took me years to penetrate its outer ugliness and dourness, so with Dublin it took me years to see through its soft charm to its bitter prickly kernel - which I quite like too.
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