A Quote by Karen Walker
There are a lot of things about my career now that are as I imagined, hoped for and worked towards.
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I've worked so hard, I've won a lot in my junior career, did great things in my amateur career, was 6-0 in match play in NCAAs, won NCAAs two years in a row, got third individually one year, and now I have three wins out here on the PGA Tour.
As I started to consider a career in music, I hoped for success, truthfully. I didn't imagine anything that would amass the level of the first record, but I hoped that I would be able to sustain a career.
Performance is always oriented towards a spectator, towards an imagined audience and I was thinking who is their imagined audience?
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.
All the elements will be seen mixed together in a great whirling mass, now borne towards the centre of the world, now towards the sky; and now furiously rushing from the South towards the frozen North, and sometimes from the East towards the West, and then again from this hemisphere to the other.
I could never have imagined the films I've done and the people I've worked with when I was starting out; I certainly did not have a career path.
In my career, there've been three stages really. There's been the stage when you come into a team, you don't feel the nerves, you just go out and play. Then through your 20s you start thinking a lot more about the games and what's at stake. And then, as you get more experienced towards the end of your career, you enjoy it a lot more and you're a lot more relaxed.
I like to do different things and, as my actrees career evolves, I will choose roles to do things that I haven't done before. There are a lot of different sides of me, and I'm in a unique position now, for the first time in my career, to decide what direction I want to go in.
When I turned professional, what I was really aiming for was to be in the top 100, try to hold the top 100 for ten years, and just be in the show, and have a nice career. It's more than I could have ever hoped for. I worked awfully hard for it, but there are other people who worked just as hard and didn't get the breaks. I recognized that I've been lucky and being able to live this life that I wanted since a young age. I really went after it with everything that I have and somehow it worked out.
It's always strange to read the things you've hoped for in the past because by now those hopes may be spoken for or gone, transformed or altogether forgotten. Like time, hope can be so senseless. It can carry us up mountains or lie us in the quicksand. But like time, hope is unstoppable, inevitable, and blind. Sometimes we travel fast, hurdling towards the unknown, sometimes the unknown comes hurdling towards us while we watch time standing still.
There are a lot of things going on with my life right now that don't just have to do with career. So I have a hard time making decisions about work. That's really a luxury problem.
I've worked with a lot of people who have a lot of integrity towards cinema.
I think a lot of people try to plan things in their career. They feel like, If I don't get this done by the time I'm thirty, everything's over. But I've worked with a lot of people whose careers shot to the top later in life.
After the World Cup, the next two or three days there is a lot of celebration, a lot of obligation, towards the country, towards the French Federation, towards the fans. And then, after that, you feel so empty - mentally and physically. It's a long tournament; it demands a lot of energy and a lot of emotion.
The imagined memories had to have as much weight as the real, or we had to at least pretend they did to such a degree that they just very well might have. And so I never questioned Angela about that particular story, or about all the troubling things that it pointed to, content to believe that at least in this version things worked for her better than they did in the one I never heard.
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