A Quote by Karen Walton

I didn't want to write unless I could say, and think for myself. I looked to peers that I not only respected but those that supported that. I finished becoming who I am today by sticking up for myself as a voice, but that is in part thanks to the huge role the good guys I chose to work with played in my professional development. Some really terrific human beings who loved horror welcomed me with open arms.
When I am at peace with myself . . . then thoughts flow into me most easily and at their best. Where they come from and how - that I cannot say . . . I'd be willing to work forever and forever if I were permitted to write only such music as I want to write and can write - which I myself think good.
I don't want to build any image for myself. I don't want people to say, 'He does only a certain type of role.' I don't want only to be the hero of the story. An actor's weakness is the different roles that he can't do. But I am keen to grab only those roles as I am here to challenge myself.
I was facing players I grew up watching on TV. At times, you can overwhelm yourself with stuff like that. I still find myself doing it now with some of the big-name guys - Zack Greinke, Max Scherzer and those guys that are really good. You have to pinch yourself and remember you belong here, that you're here for a reason and that they're human beings too.
I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do. The best thing is simple: just getting the finished version of a track that sounds incredible, from when it was just a melody in my head. Seeing that executed is sick. There's not really too much downside as I write by myself so I'm only sharing the part I'm comfortable sharing. It's all good.
I really, really enjoy fitting words together - but I only enjoy it when it's easy, when it sort of rolls along by itself. I never erase anything [and] I hardly ever write anything down... The song will be finished before I write it down... I won't write a song unless it serves me in some way, unless I feel I have to write the song to make myself feel better. If you're not overflowing with something, there's nothing to give.
I was always told that Republicans would marginalize me, push me aside and treat me like dirt. This could not be further from the truth. I have been welcomed with open arms, and even when I have disagreed on some issues, my views have been respected.
I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
Nothing concentrates the mind like a firm deadline, and a little voice in the back of my mind reminding me that, "If you don't write, you don't eat." We all want to be respected and appreciated, but when you get a big honor like winning the Pulitzer, people start to look for your work in a new way with higher expectations. Today, the best thing about having won is when I get a nasty comment from some internet troll I can remind myself of the Pulitzer and say, "Well, somebody appreciates me".
The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.
There are many people who say, 'I write for myself.' I think that if you write and publish, then you write for your readers, not just for yourself. Many writers say that they write to be loved. I place myself among those writers.
There are many people who say, I write for myself. I think that if you write and publish, then you write for your readers, not just for yourself. Many writers say that they write to be loved. I place myself among those writers.
You want to please society. You want to be happy. You want to be well liked. You want to be held in high esteem and be respected. These are real things. You want respect from your peers, respect from your loved ones; you want to be looked up to for your achievements and your accomplishments. All of this requires conformity in some form or another.
I am a fan before I am an artist. I was that twelve year old girl that looked up to Taylor Swift. I get what that role is as a fan. I think that because I know that, I'm really careful and intentional about what I say and what I put out. I want to be that role for anyone who wants me to be that.
Generally, I am just myself, a crazy John Belushi type. But I'm not comparing myself to him. I think I am against stereotype. Generally Asian guys are more quiet - they study and have a good work ethic. Generally, I have none of those things.
I'm finding things out about myself as a person - as a writer - as I write, and so are the people who listen to what I do. But they have this additional aspect of how they take the stuff that I do, and so it broadens the work and it creates this strange connection. It's really a way of strangers communicating through this third thing, which is a body of work. But really, I know it's a cliché to say I write for myself, but I write for myself.
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