A Quote by Kari Byron
Does anybody find it creepy how many Grant robots have been on the show? Is it just me or he like trying to clone himself and make a little army?
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I don't like to hear anybody in show business complain, because I just find it to be such a grateful business. Because there are so many wonderful, creative souls out there and there are so few jobs. And, so, I just find myself thinking to myself "wow, if I could get into a show of any kind and have it last for a while" - that's when I find myself really happy.
I didn't know how to necessarily make good robots and I was scared of failing to make good robots, so I thought I might as well make bad robots to kind of alleviate the pressure of that.
I'm trying to find peace in the world, as it is. I'm feeling this sort of slow stripping of my mind, like the layers of an onion. I'm starting to see through all these little structures that have been imposed on me by my society that tell me how I'm supposed to view my life and the world. What I'm supposed to find to be important and what is not. Sometimes you see through so much of it that you feel like you're just a leaf blowing on the wind.
I stopped trying to show everybody I could play. I don't need to show anybody anything. Just go be myself, and if I do that, then I can really show how good of a player I can be.
He's been in love with Miss Gina since high school, but he doesn't really know how to talk to girls, so he's just been...staying around her since then. He just tends to go where she goes." "Isn't that stalking?" Jazza said. "Legally, no," I replied. "I asked my parents this when I was little. What he does is creepy and socially awkward, but it's not actually stalking.
A canteen I remember vividly, and maybe one other thing, I can't remember. And I knew then that he had bought them in an army surplus store that day and he wanted to maybe enhance himself in my eyes, and say, "Well, yes, I have been in the army." Or [he] simply just didn't want to disappoint me. It could have been one or the other. But I knew that he had lied to me. And this filled me with a tremendous sort of anger towards him. At the same time, knowing he was trying to please me, so feeling good about him.
The general must be the first in the toils and fatigues of the army. In the heat of summer he does not spread his parasol nor in the cold of winter don thick clothing. In dangerous places he must dismount and walk. He waits until the army's wells have been dug and only then drinks; until the army's food is cooked before he eats; until the army's fortifications have been completed, to shelter himself.
I did a show in Germany, and some kid - he was disabled - he was actually in a wheelchair, and he came out to my show, and he couldn't get across to me what he was trying to say, and you could see that he was frustrated because he couldn't fully express himself, and I just felt like, 'Wow, he's just really passionate about me.'
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
I have always believed that anybody with a little guts and the desire to apply himself can make it, can make anything he wants to make of himself.
Nobody complains that Bernini's sculptures are too darn real, right? Or that Norman Rockwell's paintings are too creepy. Well, robots can seem real and be loved, too. We're trying to make a new art medium out of robotics.
With 'Sweetback,' I just put it together a little bit at a time. I didn't do it on anybody's grant. I did it like any other young executive - by cheating and stealing!
In my comedy, I'm not always trying to say something, but when I'm playing a creepy dude, you're laughing because you know that creepy dude. You've heard that dude say something awful, and I'm just putting a little creative spin on it.
When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.
So robots are good at very simple things like cleaning the floor, like doing a repetitive task. Our robots have a little tiny bit of common sense. Our robots know that if they've got something in their hand and they drop it, it's gone. They shouldn't go and try and put it down.
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