It's funny, because, yes, there's a Marvel aesthetic, and yet no one ever said to me, 'we have to do a Marvel aesthetic.' So it was probably me more self-policing to make sure I was going to stay inside the box a little bit.
My aesthetic is not a Disney aesthetic at all, but when I met with the wonderful producers at Disney, they weren't looking for me to do their aesthetic. I'd already spent 20 years in the theater, so if they were going to hire me, they'd be hiring me for what I have to offer.
We always have a little comedy. It's the Marvel secret sauce. I think it's what helps Marvel resonate with the audience, that, yes, we're in the joke, too.
If I was in some Marvel movie and made all that Marvel money, you wouldn't see me ever again.
I don't sound disloyal, but I've never had a pair of Marvel pyjamas or underwear. I do have a lot of Marvel figurines at home in a cabinet. Every time they make a new Marvel figure I put it in my cabinet.
It's been the most creatively liberating thing I've ever done and so I'm bringing some of that mad enthusiasm to Marvel for the next couple of years as they let me loose on some Marvel Universe titles you'll be hearing about soon.
I've always wanted to play a Marvel baddie. I'm not sure I fit the mold, though. Like a powerful, extraordinary woman. Somebody with superpowers would be really fun, but I'm not sure how many middle-aged women they have in Marvel.
We have enough to do just trying to make our company what we want it to be. As far as whether I would like to own Marvel, sure, I'd like to own Marvel.
There is a sinister anachronistic interpretation of the aesthetic state as some kind of totalitarian regime that puts aesthetic over moral standards; one associates it with national-socialism. But this has nothing to do with the romantics, whose ideal of the aesthetic state has much more to do with the republican tradition.
I'm not going to head off and do a Marvel film. So if I don't do a Marvel film, I don't have any other choice - I've got to go make a small New Zealand movie!
As a kid, I loved the whimsical Superman and Batman stuff, and as a teenager, Marvel was more angsty, and that appealed to me. Marvel dealt with more stuff I could relate to as a teenager.
No one has approached me about Captain Marvel. But I don't know if I'd even want to play Captain Marvel. I would much rather play a villain and be nasty. It's more fun.
In the beginning Marvel created the Bullpen and the Style. And the Bullpen was without form, and void; and darkness was upon the face of the Artists. And the Spirit of Marvel said, Let there be The Fantasic Four. And there was The Fantasic Four. And Marvel saw The Fantasic Four. And it was good.
It's for all the women who embrace my aesthetic, but can't afford a Vera Wang dress. If women can get anything out of it - a little bit of me or a lot of me, that's what's important.
It's really been important for me for all these years to stay with my aesthetic - the everyday classic piece that you're not going to get sick of.
The finest thing under the sun and moon is the human soul. I marvel at the small miracles of kindness that pass between humans, I marvel at the growth of conscience, at the persistence of reason in the face of all superstition or despair. I marvel at human endurance.
It is not an aesthetic misstep to make the viewer aware of the paint and the painter's hand. Such an empathetic awareness lies at the heart of aesthetic appreciation.