A Quote by Kari Skogland
And often, once you've done it five or six times, a performer has to start dredging up emotions from a new place, which is harder to do.
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I think between 2014 and 2015, I made weight five times in 11 months. During that time, I felt my body change. It was able to hold on to more weight. And anybody who makes weight knows that it gets harder and harder to make weight once you've done it that many times.
Often the mass emotions are those which seem the noblest, best and most beautiful. And yet, inside a year, five years, a decade, five decades, people will be asking, "How could you have believed that?" because events will have taken place that will have banished the said mass emotions to the dustbin of history.
There's no gap between the writer and the performer, which is what I think makes [Monty] Python unique. Five or six people who write Python and five or six who act it. That's what makes it unique.
Every time you start a company - and I've started five or six - you have the opportunity to screw up in whole new ways.
Since I moved six or seven times the first year I was in New York, I had to be able to roll up the work, and paper would just get destroyed. Once I looked at what I'd done, I realized I had made a painting, sort of by default.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I don't see any state that Democrats have won five out of six times, or six out of six times, that Trump, you know, at face value, poses a threat in. I just don't see it.
I was pretty young when I decided I wanted to, well, more so be a singer. I started singing in church in my hometown, East Orange, New Jersey. I knew when I was about five or six that I wanted to be a performer.
One of the things that's fascinating about making movies is a movie when it's done and you start showing it to people, it reveals its impact, which is often times not what you thought.
Basically I wake up in the morning and I think everything's going to be great. I'm really kind of optimistic, and I look forward to a new day. I pick up 'The New York Times,' and I look at the front page and realize that once again I'm wrong. I start to fixate on stuff.
I’ve often been accused of being too emotional and sentimental, but I believe in honest sentiment, and the need to purge ourselves at certain times, which is ancient. Men would live at least five or six more years and not have ulcers if they could cry better.
My parents' marriage was already shaky when I came along. They split up when I was five, and I didn't see Dad all that often after that - four or five times a year.
My favorite place is whichever sidewalk is beneath my feet because I am just constantly fascinated by walking and looking and learning. If I've already walked a street five times, then the next five times I walk it looking up, and I learn something about the cornices.
Once a musician has enough ability to get into a top music school, the thing that distinguishes one performer from another is how hard he or she works. That's it. And what's more, the people at the very top don't work just harder or even much harder than everyone else. They work much, much harder.
When I start a book, I write a minimum of five pages every day, except weekends. If I'm going on a ski trip, I take my computer with me, get up at six, do my five pages, and then go skiing.
I ended up renting a studio in L.A. for about 15 months. Starting in January of 2016, some of the guys in the band were coming out once every five to six weeks for like five days a time.
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