A Quote by Kari Skogland

That's what storytelling is. It's excising the demons and taking a look at the hard subjects. — © Kari Skogland
That's what storytelling is. It's excising the demons and taking a look at the hard subjects.
When it comes to storytelling, not taking risks is riskier than swinging for the fences. I have very simple ambitions when it comes to taking risks in storytelling and programming. I try very hard to avoid the expected.
There are parts of me that I keep secret even from myself. I have demons and I'd love to be able to healthily look at the demons and still be a wonderful actor and not feel I need them to create.
You look at Cheney, Rumsfeld, Karl Rove, and Bush - if you saw them on Halloween, they wouldn't need a costume. You'd give them a treat and compliment them on what great-looking demons they were. They are demons. There's no doubt about it.
I think we all have demons, but my demons aren't that bad. They're productive demons. They keep me focused on the man I want to be and the life I want to live.
I believe that the Kane/Undertaker story, if you look at epic storytelling like Greek mythology, that is what it is. It is the best piece of epic storytelling that the WWE has ever done.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
Don't fight your demons. Your demons are here to teach you lessons. Sit down with your demons and have a drink and a chat and learn their names and talk about the burns on their fingers and scratches on their ankles. Some of them are very nice.
The problem with reality TV is that creative writers are not involved; TV folks are, and some journalists who will only mine the surface of subjects. Hard work necessary for discovering and delineating the intimacies of the subjects they capture is mostly avoided.
I realised that today we are very much interested in reading about subjects that would have also interested people in the 1500s: ghosts, demons and things that go bump in the night.
A comedian is not funny unless he is taking his demons out for a walk.
Look at the people who are coming to television Ridley Scott, Ang Lee or Guillermo del Toro - all these great filmmakers - actively put themselves back into TV. That's because the environment is very encouraging for bold storytelling, storytelling that you've never seen before.
Storytelling, you know, has a real function. The process of the storytelling is itself a healing process, partly because you have someone there who is taking the time to tell you a story that has great meaning to them. They're taking the time to do this because your life could use some help, but they don't want to come over and just give advice. They want to give it to you in a form that becomes inseparable from your whole self. That's what stories do. Stories differ from advice in that, once you get them, they become a fabric of your whole soul. That is why they heal you.
I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.
Movie people are possessed by demons, but a very low form of demons.
When he was very excited, [John Singer] Sargent would rush at his canvas with his brush poised for attack, yelling, 'Demons, demons, demons!' When he was particularly angry or frustrated, he expressed these feelings with 'Damn,' the only curse he allowed himself. He once had the expletive inscribed on a rubber stamp so he could have the satisfaction of pounding it on a piece of paper.
For me, the passing of time has provided me with subjects I never had before. Subjects I can now look at from a historical perspective. Like the anti-communist era in America. I lived through that. I was a boy; I didn't find a way to write about it until many years later. The same with the Vietnam War.
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