A Quote by Kari Skogland

There's no Marvel list. As a filmmaker, you are not only encouraged, but you are really supported to let your voice shine through. You have total freedom to push, scratch the surface and try things.
What's beautiful about the actual acting class environment is that you can use it to push through everything: push your voice, push your inhibitions, push your fears, push your confidence, push your vulnerability, push your silences.
If I am forced to come up with organizing tips, I use my iPhone and I have my to-do list that I keep there, and I try to go in weekly and have at it. I am never going to get through that entire list, so I have to weekly, as I check in, push up the priority and the three or four things that I absolutely have to get done, and constantly reorder the list. If anything, I feel like I have gotten more comfortable with that fact: knowing that what is really, truly important will get done and then being comfortable when other things fall by the wayside.
If you scratch below the surface and ask what really makes me tick, it's the liberalism of trying to promote freedom and opportunity. Promoting social mobility is one of the keys to that.
Without total freedom, every perception, every objective regard, is twisted. It is only the man who is totally free that can look and understand immediately. Freedom implies really, doesn't it, the total emptying of the mind. To completely empty the whole content of the mind — that is real freedom.
They just take on great stories and they tell great stories. That's their only objective, at least that's been my experience, so as a result we were encouraged to push the envelope and not hold back. I hugely respect Marvel for that position.
I have a list of people to work with, but Marvel is really at the top of that list because I've been working out really hard and just waiting for that day they tell me I can slide into a spandex suit!
If you have total freedom to design, you won't get anything interesting. So I give myself restraints in order to kind of push myself through, to create something new. It's the torture that I give myself, the pain and the struggle that I go through. So it's self-given, but that's the only way, I think, to make a strong, good new creation.
I had the wonderful benefit of growing up with parents that not only encouraged me to follow my dreams, but supported my aspirations through school and beyond.
Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
If you have total freedom to design, you won't get anything interesting. So I give myself restraints in order to kind of push myself through, to create something new. It's the torture that I give myself, the pain and the struggle that I go through.
As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters.
Transformation Isn't easy when most of the people in your life think you're already perfect, and want you to stay just how they see you. Try to begin a new phase, you'd better expect push-back. Try to create a whole new you, your friend list will shrink considerably.
My voice is the only material thing in which I can still reveal myself. Go ahead and cut off the hand or the testicles of a voice. Try to find the head of a voice, the orifice through which it passes, or even the breasts to which you can attach the clips of your electrodes. Nothing. Resonant tooth.
If you want to remain totally free, then don't choose. That's where the teaching of choiceless awareness comes in. Why the insistence of the great masters just to be aware and not to choose? Because the moment you choose, you have lost your total freedom, you are left with only a part. But if you remain choiceless, your freedom remains total. So there is only one thing which is totally free and that is choiceless awareness. Everything else is limited.
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