A Quote by Kari Wahlgren
You can't rely on your face or body to convey emotion.
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When you are modelling, you are creating a picture, a still life, perhaps something like a silent film. You convey emotion but you are only using your body.
Emotion can be the enemy, if you give into your emotion, you lose yourself. You must be at one with your emotion, because the body always follows the mind.
In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.
I think, as human beings, we at times overvalue the intellect and we undermine the body. I don't mean a body externally and the shape of a body. I mean the intelligence of a body, the memories that a body can store, how a body feels emotion, and how a body processes emotion.
If you really want to know your mind, the body will always give you a truthful reflection, so look at the emotion, or rather feel it in your body. If there is an apparent conflict between them, the thought will be the lie, the emotion will be the truth.
I am more greatly moved by people who struggle to express themselves...I prefer the abstract concept of incoherence in the face of great feeling to beautiful, full sentences that convey little emotion.
You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.
It's a wonderful acting challenge to tell a story and convey emotion with only your voice.
Be guided by feelings alone. Abandon yourself to your first impression. If you really have been touched, you will convey to others the sincerity of your emotion.
When we talk about emotion, we really talk about a collection of behaviors that are produced by the brain. You can look at a person in the throes of an emotion and observe changes in the face, in the body posture, in the coloration of the skin and so on.
Face dance means you don't know what the hell the rest of your body was doing but your face is fierce. That's face dancing.
An emotion is only an emotion. It's just a small part of your whole being. You are much more than your emotion. An emotion comes, stays for a while, and goes away, just like a storm. If you're aware of that, you won't be afraid of your emotions.
Emotion arises at the place where mind and body meet. It is the body's reaction to your mind - or you might say, a reflection of your mind in the body.
Rely on the teaching, not on the person;
Rely on the meaning, not on the words;
Rely on the definitive meaning, not on the provisional;
Rely on your wisdom mind, not on your ordinary mind.
When it came to eliciting a reaction from an audience, especially at the time, I think Ric Flair is the guy who is constantly up there. Especially when you talk about speaking with passion and being able to convey a ton of emotion with his words and his body language.
Most of the time, it just sat there in my body, until the weekend. After five or six takes of crying, your body does not want to cry anybody. Your body is like, "I'm over this, can we start laughing, or something?," but you have to keep the emotion. It's a really weird process and it definitely just stays with you.
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