A Quote by Karin Dreijer Andersson
When I start to write and record a track, I always think about where it is supposed to take place, what kind of room that is, and what kind of atmosphere it should have. Also how it should be performed, and by what kind of musicians or vocalists. I work in a very theatrically minded sort of way.
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I think there should be some way to find some kind of reasonable accommodation that allows the state to continue to say, you know, that women's rights supersede any kind of a cultural custom that's oppressive to women, but also potentially allows a woman to take the oath, I don't know, in a separate room. It would be up to the court to find some kind of cultural accommodation.
Art movements are always linked to some kind of turmoil. We can look at history and see that [political turmoil is] fertile ground for art. I also think that it gives artists something, a way of kind of processing. My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world. Hard times are really a fire under your ass to prioritize and think, "Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process"?
I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'
I'd think,'In a relationship, we should never have his kind of fight.' Then, instead of figuring out how to make it work, I looked for a way to get out of it. The truth is, you shouldn't be married if your that kind of person.
I'd think, 'In a relationship, we should never have his kind of fight.' Then, instead of figuring out how to make it work, I looked for a way to get out of it. The truth is, you shouldn't be married if your that kind of person.
We get real picky about frequencies. Put it on a tape, start on tape, and it's kind of locked to how it sounds. Which would have been a very interesting thing to have done, but we were very aware that we wanted a bizarre kind of production value on the record.
I think - I think I've always been kind of - I used to think of myself as a piece of rubber when I was a kid because I was kind of very shy and very - very emotional about things, but I kind of would bounce back.
We start with a rehearsal where the actors kind of bring what they think should be in the scene. But we film everything, and we use cuts of this first take, also.
I never start out with any kind of connecting theme or plan. Everything just falls the way it falls. I don't ever think about what kind of fiction I write or what I am writing about or what I am trying to write about. When I'm writing, what I do is I think about a story that I want to tell.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.
A lot of my songs are fantasy. I can dream up all kinds of things. That's the kind of world I live in. It's very sort of flamboyant, and that's the kind of way I write. I love it
I think that's what really separates me in the world of fashion is I have a real understanding of actual clothes and how they work and how they should fit and a reasonably good artistic version of photography that kind of captures that. I think that was really kind of the best combination.
Your dharma is what kind of work you should be doing, what kind of people you should associate with, whether you should have a teacher or not. Dharma encompasses all things and it is specific to the individual.
Uncle Fester always intrigued me. I certainly always enjoyed his kind of humor. He's just full of mischief in a kind of macabre way. I don't see anything twisted about it. It's sort of ridiculous and wacky. It's sort of fun.
Yeah, we're definitely not opposed to working with famous vocalists, but we really want to make sure that it's all about the sound of the voice and how appropriate it is for the song, and not kind of 'getting together with people just for the sake of it' kind of thing.
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