Sometimes, there can be a slightly condescending assumption that anything unlikable about a female character is a mistake, as if they're a contestant in a beauty pageant and have to seem charming and upbeat all the time.
I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
I'll be able to pull off playing an unlikable character because inherently, I think I'm likable.
You don't get roles like leading character in 'Christine' very often because people don't really like women on film to be unlikable. I think Christine is lovable, but I don't think she's likable. I think there's a fundamental difference. For me, those are the richest ones. Men have had a career of doing those kind of things.
Make no mistake, the woman had a heart. She had a bigger one that people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.
Knowledge is essential to conquest; only according to our ignorance are we helpless. Thought creates character. Character can dominate conditions. Will creates circumstances and environment.
Whether you're writing television or movies, at some point you're going to encounter a male executive or investor who's going to say, 'I don't like that woman. She's unlikable.' And often, it's literally for being a regular human woman as opposed to an attracting human woman.
I'm a great believer in the character of the club. To me, character has a lot to do with how you compete. That creates urgency and toughness. That elevates the talent that you have.
I'm a great believer in the character of a club. To me, character has a lot to do with how you compete. That creates urgency and toughness. That elevates the talent that you have.
My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way.... People mistake the character of line for the character of art. But it's really the position of line that's important, or the position of anything, any contrast, not the character of it.
A lot of the songs are very rock-oriented. My voice makes them country, and a lot of people think that is a strange combination... I think it creates something different and unique.
A lot of people perceive women as sexy based on their outer appeal. But there's no way to mistake if a woman is confident.
I don't want to risk my personal sanity or happiness, or my family, or the love of my life. That's a mistake. And I think a lot of people make that mistake, they're always kind of, like, seeking out the next thing that's gonna happen.
They made a mistake. And it was an easy mistake to make. I don't regard setting incentives aggressively as a mistake. I think the mistake was, when the bad news came, they didn't recognize it directly. I don't think that impairs the future of Wells Fargo. They'll be better for it.
I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that, I don't always feel good. I get a lot more catharsis from taking pictures or painting or making short films.
Especially when you play a character for so many years, the character ends up reflecting a lot of who you are and I think I've changed a lot since then, but that represented a lot of who I was as a teenager.