A Quote by Karin Slaughter

With 'Pretty Girls,' I saw the opportunity to talk not just about crime but what crime leaves behind. — © Karin Slaughter
With 'Pretty Girls,' I saw the opportunity to talk not just about crime but what crime leaves behind.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
The causes of crime are very complicated. But there is a very big literature, as you know, about single parenthood in crime, about race in crime, and about poverty in crime.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
I work in an old tradition that goes back to the ancient Greeks. You hold a mirror to crime to see what's happening in society. I could never write a crime story just for the sake of it, because I always want to talk about certain things in society.
Female genital mutilation targets little girls, baby girls - fragile angels who are helpless, who cannot fight back. It's a crime against a child, a crime against humanity. It's abuse. It's absolutely criminal and we have to stop it.
'By Any Means' follows a team of behind-the-scenes crime-prevention team - not police. They basically go to the areas of crime where the police can't touch and organised crime fighting units can't go to - in the public eye - to bring about real justice, treading the line between 'true' justice and what the law says is justice.
I saw that crime pays, but I never got involved in crime.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
Let's talk about the real issues of crime which people are worried about. What people are worried about is the rise in violent crime. We believe that more community policemen and women are part of the answer to this.
The greatest myth about mass incarceration is that it has been driven by crime and crime rates. It's just not true.
Is it exploitative to get the victim of an unimaginably horrific crime to talk on my show 'Crime Stories?' No, it's crucial.
Why is thinking about crime or imagining crime so goddamn central to pop culture? It doesn't matter whether it's American TV or British TV. And there's entire sections of bookstores devoted to crime.
During the Great Depression, levels of crime actually dropped. During the 1920s, when life was free and easy, so was crime. During the 1930s, when the entire American economy fell into a government-owned alligator moat, crime was nearly non-existent. During the 1950s and 1960s, when the economy was excellent, crime rose again.
When is conduct a crime, and when is a crime not a crime? When "Somebody Up There" - a monarch, a dictator, a Pope, a legislator - so decrees.
I said the kidnapping is a crime. I have the right to speak about the crime done against me. They didn't like me to speak about this crime. So I decided to reveal it to the public.
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