A Quote by Karin Slaughter

I could type in a closet and be fine. It's just a matter of cocooning myself. Just me and the story. — © Karin Slaughter
I could type in a closet and be fine. It's just a matter of cocooning myself. Just me and the story.
Since I came out of the closet, I've gotten to just really be myself and feel authentic and honest and genuine. It's just been a huge relief for me competitively.
You have to get through periods of being blocked. Everybody has them. For me, they have everything to do with self-doubt. It's never a matter of laziness or inability. It's just a matter of believing that what I'm doing is worthwhile, that it matters.I just make myself work. I just make myself go to work, whether I feel like it or not.
My very first story, I was around 5, and I really just wrote myself. When I was 5, I loved myself so much I gave myself a twin named Tomi. Everything started out fine. But then I didn't write another black character until I was 18.
I'm the kind of person where you're never done, you just keep perfecting and perfecting and perfecting, or trying to fix things that drive you crazy. Often times when you watch a film, "if I could just get through this minute, I'll be fine." So I think I'm just hard on myself.
I found myself in this conundrum of loving acting, but not liking the path that you have to take to do it. I was just never good at auditioning, so basically I decided I would just write my own stuff and if I could get a role in it, then fine.
I was very obsessed with Ruth Gordon. I really didn't foresee me having any type of career as a leading lady at all because it was just blonds. I just wasn't the type - I was told that by casting directors. I auditioned for Running on Empty [1988] and The Mosquito Coast [1986], and Martha Plimpton was just killing me.
When I remember how unhappy I was in adolescence - about the fact that, though I wasn't really using the term to or for myself, I knew that I was gay - I think, "Oh, if someone then could have shown me just an hour in the life that I have now, I would have made it through all of that misery and despair just fine." The pain lay in thinking that I had a desolate future.
I think that when I'm telling a story, I'm doing the best I can to tell the story as fully as I can, and if there are various fractures that happen in the story, then that's just the very thing that the story is as opposed to my looking for avenues of difference in one story. They just really do exist. For me, anyway.
Everything I own in my closet has a story. Stuff is not just stuff - things were given to me with love.
[The Middle East conflict ] just kind of ran its course for me. For a long time I could justify doing it to myself, no matter how irrational it was. It was important to me and my work. And I just don't feel it in the same way any more. When it comes up and it's important to me, I'll do it, but more out of sense of duty than desire - which used to be a big part of it.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
Why, I wonder, should the popularity of a news story matter to me? Does it mean it's a good story or just a seductive one?
I don't know if I'm an action star or if that's just how things are shaping up. I would hate to be boxed into that forever, but it's probably just a strength as far as my type goes, and I'm fine with that.
If public figures came out of the closet, then the LGBT kids who saw them on TV would feel safe before they even knew why they felt dangerous. Maybe if enough people came out of the closet, gay kids would never feel dangerous. Maybe we could have a world where we could all just live. We may not all agree, but why can't we just all live?
If public figures came out of the closet, then the LGBT kids who saw them on TV would feel safe, before they even knew why they felt dangerous. Maybe if enough people came out of the closet, gay kids would never feel dangerous. Maybe we could have a world where we could all just live. We may not all agree, but why can't we just all live?
Maybe for others it was difficult to find a role that suited my type. But I never thought of myself as a type. I really thought I could play anything, quite frankly. And I have. Especially in the theater, which is where I came from. And I may go back to soon, as a matter of fact. To Broadway.
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