A Quote by Karin Slaughter
Being a Southerner, I'm interested in sex, violence, religion and all the things that make life interesting.
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Being a Southerner, Im interested in sex, violence, religion and all the things that make life interesting.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
I think sex is very interesting for most people, but I'm interested in sex as a way of communication, I'm not that interested in the fantasy version of a sex scene.
We tried to make a movie that had sex and violence because we like sex and violence.
The interesting thing about the religious component, for me, is that Jesus hardly mentions sex at all. He's pretty interested in the poor, he's pretty interested in selling your worldly goods and storing up riches in heaven. However, religious fundamentalists have made it all about sex, and that's like saying, "Look at the sex and we're just not going to talk about what you may be doing in a financial way that is sinful."
I think that the enormous emphasis on violence and sex, and in particular violent sex, may not make rapists of us all, but it predisposes us to accept a kind of world in which these things happen.
The perplexity of life arises from there being too many interesting things in it for us to be interested properly in any of them.
I think I'm doing a service to black women by portraying myself as a sex machine. I mean, what's wrong with being a sex machine, darling? Sex is large, sex is life, sex is as large as life, so it appeals to anyone that's living, or rather it should.
I regard sex as the central problem of life. And now that the problem of religion has practically been settled, and that the problem of labor has at least been placed on a practical foundation, the question of sex—with the racial questions that rest on it—stands before the coming generations as the chief problem for solution. Sex lies at the root of life, and we can never learn to reverence life until we know how to understand sex.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.
You can't write about the past and ignore religion. It was such a fundamental, mind-shaping, driving force for pre-modern societies. I'm very interested in what religion does to us - its capacity to create love and empathy or hatred and violence.
I think a proud Southerner is a Southerner who is aware of his or her past, and being proud of one's past does not mean you accept it. It means that you realize that we've come through the fire, and we're headed in another direction.
What's very interesting about the violence in Lebanon and the violence in Iraq and the violence in Gaza is this: These are all groups of terrorists who are trying to stop the advance of democracy. They're trying to thwart the will of millions who simply want a normal, hopeful life. That's what we're seeing.
I'm not criticizing how people experience what they might call spirituality. I am interested in looking critically at something else - at how people use their language to articulate theories about something they call religion, to say, for example, that "in Islam religion and politics necessarily go together," or to insist that "violence has no place in religion," to universalize it.
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