A Quote by Karin Slaughter

I've always been drawn to historical fiction. — © Karin Slaughter
I've always been drawn to historical fiction.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
As much as I love historical fiction, my problem with historical fiction is that you always know what's going to happen.
I've always been drawn to writing historical characters. The best stories are the ones you find in history.
Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.
You can't believe anything that's written in an historical novel, and yet the author's job is always to create a believable world that readers can enter. It's especially so, I think, for writers of historical fiction.
History buffs expect historical background in historical fiction. Mystery readers expect forensics and police procedure in crime fiction. Westerns - gasp - describe the West. Techno-thriller readers expect to learn something about technology from their fiction.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
Cultural concepts are one of the most fascinating things about historical fiction. There's always a temptation, I think, among some historical writers to shade things toward the modern point of view. You know, they won't show someone doing something that would have been perfectly normal for the time but that is considered reprehensible today.
Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.
Much historical fiction that centers on real people has always been deficient in information, lacking in craft and empty in affect.
I've always been drawn to the extremes of human behavior, and crime fiction is a great way to explore the lives and stories of fascinating people.
'No Sweetness Here' is the kind of old-fashioned social realism I have always been drawn to in fiction, and it does what I think all good literature should: It entertains you.
I've always been most drawn to fiction that wrestles with that death-fear. Sometimes I joke with my students, 'If no one is in danger of dying, I'm not interested,' but of course I'm not really joking.
Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading 'The Black Tower', Louis Bayard's third foray into historical fiction and fifth novel overall.
I'm a big fan of historical fiction stuff. Historical battles - 'Gladiators,' 'The Patriot.'
My books fall in the wobbly middle between historical fiction and historical romance.
This site uses cookies to ensure you get the best experience. More info...
Got it!