A Quote by Karin Slaughter

I think crime fiction is a great way to talk about social issues, whether 'To Kill A Mockingbird' or 'The Lovely Bones;' violence is a way to open up that information you want to get out to the reader.
For me, crime fiction was an opportunity to sneak up on readers with social issues, something they won't go out of their way to seek.
Fiction is an easy way to talk about issues: I think it feels less preachy. You can have the students discuss characters in the book as opposed to hypothetical situations, or as opposed to opening up about themselves, unless they really want to.
Essentially, you know, one of the great advantages of working in science fiction is it does give you an opportunity to talk about interesting and somewhat controversial themes and social issues and in a way that doesn't really threaten the audience, because I'm not challenging their particular points of view.
I think, at some level, we see young people all over the country mobilizing around different issues, in which they're doing something that I haven't seen for a long time. And that is, they're linking issues together. You can't talk about police violence without talking about the militarization of society in general. You can't talk about the assault on public education unless you talk about the way in which capitalism defunds all public goods. You can't talk about the prison system without talking about widespread racism. You can't do that. They're making those connections.
What I mean by it, and roughly what most biologists who talk about culture mean by it, is either behavior itself, or information that leads to behavior. Information that is picked up through social learning - so, from being with, watching, being taught by others. It's a way that individuals behave or get information about how they will behave that comes directly from the behavior of others.
Social media companies like Twitter and Facebook get to decide whether or not you get pertinent information about national security issues in your country.
There's a lot of people that I disagree with that I think I could have interesting conversations with. What I don't want to get into is manufactured conflict. I would much rather talk to someone like Dr. Rhonda Patrick or Randall Carlson and be mesmerized by information. I guess in a way that's selfish, or maybe not objective of me. The older (and hopefully wiser) I get the less interested I am in conflict. I don't mind disagreeing with people in a civil way, but I definitely don't want to go out of my way to have an argument unless it's a really important subject.
There's so much stuff that you see every day that you want to talk about, but I'm not the type to open up, so the only way I could open up is through music.
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
Famous crime stories almost always lead to the passing of new laws. There's a great many intersections between this unseemly tabloid phenomena and serious social issues and we never get to that intersection because serious people don't like to talk about that unattractive stuff.
In the same way that some magazines have made financial markets accessible to people who don't want that much sophisticated information, we would like to make information about public issues accessible in a way that makes people feel included.
There is sometimes a feeling in crime fiction that good writing gets in the way of story. I have never felt that way. All you have is language. Why write beneath yourself? It's an act of respect for the reader as much as yourself.
Now, I'm a failed political consultant. But sometimes fiction has a way of capturing people's imagination in a way that non-fiction doesn't. Conservatives typically haven't written much fiction - specifically political thrillers - over the years to educate, inspire and mobilize people on issues of great import, but we ought to.
My idea about the role of artists is to get people to look at things in a way that's different than the way they normally would if they are being told how to think, what to do. I think when people receive information through art, they are more open-minded.
Team Hillary [Clinton] after everything came out the other night, they said, she just wants to talk about the issues. She wants to have a debate about the issues. Really, is that what their ads are about? Is that what the filth they peddle every day my candidate Donald Trump is about - they want to talk about the issues - lets talk about Obamacare its a disaster?
I would never, ever use a novel to do thinly disguised political information dissemination. For me, all these experiences, they sat in me, and they got broken down into my body, and I sweated it out. It's not because I want to talk about 'issues.' For me, a novel is a way of seeing the world.
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