A Quote by Karin Slaughter
Most of my books begin with a nap on my couch here, when I dream up characters and story lines, and then I write on my laptop in the recliner and handle the business side of email at my desk, which is sagging in the middle - maybe from so many words?
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I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not?
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
I write in two very different places: my desk in Palo Alto, California, is piled high with myriad jumbled books and papers whose stratigraphy is a challenge. Summers in Bozeman, Montana, I write in a spare space, surrounded by interesting rocks and fossils instead of books, on an old oak table with nothing but my laptop.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.
In terms of the technology I use the most, it's probably a tie between my Blackberry and my MacBook Pro laptop. That's how I communicate with the rest of the world and how I handle all the business I have to handle.
I love how easy it is to run my business, Writing Workshops Los Angeles, with the help of email and my website. I love that I don't have to use cuneiform, a quill, or a typewriter to write my novels - I love to write on my laptop!
I have an 'office,' technically. I never use it. I work on a couch in my living room, with my laptop on my lap, looking out the windows. I love space and green things. And I'm an incredibly casual person. I slouch. I close the laptop and just lie on the couch for a while if I need to think. I put my feet up on a table while I type.
I used to write in school a lot; I always liked it and used to write on my own, comic books, come up with alternate story lines to the stuff I watched and read, a lot of books and TV, episodes of 'Twilight Zone.' I didn't think about it.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
I'm a failed poet. Maybe every novelist wants to write poetry ?rst, ?nds he can't, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything.
There's probably one more story about Bosnia that I'd like to do, because I spent a fair amount of time on the Serb side of the lines, which isn't apparent in the other books.
Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all, the excitement of spinning something new begins to fade. The work starts to feel like work, and for most writers that is the smooch of death.
You have to want to write and like to write. Sit down at that desk or machine or laptop and tell stories.
I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin.
I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin
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