A Quote by Karin Slaughter
Southerners have this love of embellishment. Even when you read a police report, there's some backstory.
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A profoundly disturbing thing you discover very quickly traveling in Cuba is that the most dangerous person for Cubans isn't the police or even the secret police; it's their neighbor. Anyone can report you for anything 'outside' the revolution - even if you haven't done it yet.
The key is to commit crimes so confusing that police feel too stupid to even write a crime report about them.
It wasn?t even desire. It was far more than that. It was love. Love. With a capital L and swirly script and hearts and flowers and whatever else the angels— and yes, all those annoying little cupids—wished to use for embellishment.
I love making the backstory for myself. I think it's important. Every part I play, I work on the backstory. If it's fully written out in the script, or there are intimations of it in the script, fine. If not, fine, no problem. I'll fill it in, or I'll create what it is.
All the Southerners think we're Yanks, and all the Yanks think we're Southerners, and all the Midwesterners think we're East. Everybody's always wrong about Louisville. That's kind of why I love it so much.
Even the classics that we read to our young children are full of wolves' fangs and burning ovens and bloody feet and ice shards piercing hearts. Even the New Testament climaxes with an act of unspeakable torture. Might as well just read to our kids from the Amnesty Annual Report and be done with it.
Even in the '80s and '90s, many white Southerners were still bitter about court decisions that required racial integration of the schools. It wasn't that they were outwardly opposed to white and black people attending school together, it was that the rulings threatened their proud identity as independent Southerners.
A lot of the strings that hold us like puppets are really inventions of our own minds. I'm not saying that there aren't armies and police and various ways to punish deviants, but there isn't any way to punish a large number of deviants. It's too expensive to even try. So, the solution is to colonize the minds of children as they're growing up, so that they become their own police, and to report on others who are deviating.
When you're a regular on a TV show, they give you more of a backstory, so with these recurring gigs, you have to make up your own backstory.
Soldiers are not policemen, and it's very unfair, even for those soldiers who have some police training, to burden them with police duties. It's not what they're trained for, or equipped for.
It was determined, as shown in the report of the Commission, which I can read to you, but I know you are familiar with the report. It states there was disagreement on this issue, particularly as the subject was debated, that there were different opinions about it.
If an African-American or a recent immigrant - or anyone else, for that matter - can't feel secure walking into a police station or up to a police officer to report a crime, because of a fear that they're not going to be treated well, then everything else that we promise is on a shaky foundation.
Chicago is like a warzone. Chicago is worse than some of the people that you report, in some of the places that you report about every night, in the Middle East.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
For me, as an actor, the most challenging thing is creating the character in the beginning because you have to write their backstory. The easy part about doing a sequel is that you've done the film, so you already know their backstory.
Having read the source material, I had to have drawn from that. As a fan, I wanted to remain true to that character, but it was really cool because, as we were figuring these characters out, I realized that there was a lot more backstory, rather than what I had gotten just from reading the book. Glenn doesn't really get much of a backstory there. He's just seen as this kid who is put in this situation, not knowing where his mind-set is, but then you slowly see him start to develop.
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