A Quote by Karin Slaughter

I write fifteen hours a day, stopping at Oprah-o'clock. — © Karin Slaughter
I write fifteen hours a day, stopping at Oprah-o'clock.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
I tend to start at 9 o'clock in the morning and write until 3. Those are my best hours. They fit the other rhythms of the world. So I write for six hours, pretty much without any breaks.
I write every day. Most weekdays, I write about ten hours a day. That doesn't mean eight hours of surfing the Net or watching videos on YouTube. I park my butt in a chair and write... I learned that writer's block is a myth created by people who don't have, or understand, a writing process.
I write two hours in the morning and two hours before bed no matter. No matter what. I also write during the day if I have to get something down, but the four hours a day is the one thing in my life I don't fool with.
For me, I need to fully immerse myself in a script to the point where I'm literally locking myself away for weeks at a time and I just write it. So I can write twelve to fifteen hours in a day, with breaks in between, obviously, but I need to just sort of live within the world of the script.
I write nearly every day. Some days I write for ten or eleven hours. Other days I might only write for three hours. It really depends on how fast the ideas are coming.
I owe my success to the fact that I never had a clock in my workroom. Seventy-five of us worked twenty hours every day and slept only four hours - and thrived on it.
And blessed are they who have learned the rhythms of the invisible clock whose hours and minutes are immense and soundless. The great clock of the seasons and the years, and the small clock of the intuition, whose timing is guided by the heart.
There's not a day in my life I'm not proud of being gay, but I just wasn't ready for that attention to be placed on it. I remember being on Oprah. Well, not on Oprah. Near Oprah. She started saying, 'Now, Nathan, you got all those girlie moves going down in 'The Birdcage,' where's all that coming from? You're so good at all that girlie stuff!'
A really good day for me is to write my book for about four hours, go to the writing room for about four hours and then maybe come back to the book to finish the day for a few more hours of it.
It's incredible. Twenty-three minutes on the air, and I've got to shoot for twelve, fifteen hours a day. What the hell's that?
I write every day for two hours. But it's what I do for the other twenty-two hours that allows me to write.
I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.
The hours of folly are measured by the clock; but of wisdom, no clock can measure.
You did the best you could, the best you knew how at the time." It was something like that. From Oprah on an Oprah show. Then I believe my quote above was from Maya Angelou on the Oprah show, not Oprah herself. I had heard it before but it was on Oprah's show again 1-7-09 and she said Maya had said it.
I take two hours off for my family every day. And then I write fourteen hours.
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