A Quote by Karin Slaughter
As a writer, I've always felt it's my job to be extremely careful when writing about victims, especially women.
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Most of my writer friends are women, and they're all extremely talented, so of course I think the state of contemporary fiction for women is pretty great. Which is to say there is a ton of amazing work out there. These women are writing hard. There's much to be said. We're on it, chief.
I've always felt that the cool thing about being a writer is that all you need is paper to do the job.
Women have always been the primary victims of war. Women lose their husbands, their fathers, their sons in combat. Women often have to flee from the only homes they have ever known. Women are often the refugees from conflict and sometimes, more frequently in today's warfare, victims. Women are often left with the responsibility, alone, of raising the children.
At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.
Women have to be extremely careful about choosing something that they consider an act of defiance that can really be used to further their enslavement.
For what I wrote that started this whole controversy, I deserved to be criticized, and I felt bad about writing it. I felt bad mainly as a writer and a thinker.
The feminist movement is not about success for women. It is about treating women as victims and about telling women that you can't succeed because society is unfair to you, and I think that's a very unfortunate idea to put in the minds of young women because I believe women can do whatever they want.
The thing I liked about writing about food when I started it was that I felt I was writing about food in a different way. Not like a food writer.
I did commentary with Excalibur. It is an extremely, extremely difficult job. It gave me a whole new appreciation to how on point you need to be and how careful you need to because I was a almost like a color aspect of it.
You want to be a writer? A writer is someone who writes every day, so start writing. You don't have a job? Get one. Any job. Don't sit at home waiting for the magical opportunity. Who are you? Prince William? No. Get a job. Go to work. Do something until you can do something else.
It is easy to say that if such harassment happens, walk out of your job. But people depend on that job. It is about their livelihood, a question of survival. So while we must encourage victims for coming up with their #MeToo stories, we should not judge women for not sharing their stories.
There are so many ways of posturing that people associate with being a writer. They imagine you wearing a beret and drinking only red wine and being full of yourself, and so, for a long time, the way I felt about writing was too private. I felt it too important and didn't want to be teased about it. So I lied about it.
I've always said the hardest aspect of the job of being a writer is writing.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
I've always felt profoundly about what's going on in the world on a daily basis. What I hadn't felt was that I was at a point in my writing career where I could write about these things in songs and do it well.
I felt differently about her [Gypsy Rose Lee] during every phase of the research and writing process. Often, I felt incredibly sorry for her; she had an extremely difficult childhood and a complicated 'to say the least' relationship with her family, her mother especially.
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