A Quote by Karin Slaughter

I hate to badmouth any book or writer, because I know how it feels to be on the other end of that. — © Karin Slaughter
I hate to badmouth any book or writer, because I know how it feels to be on the other end of that.
Because hate's just the flip side of love. Like heads and tails on a dime. If you don't know what it feels like to love someone, how would you know what hate is? One can't exist without the other.
I don't believe it's productive to go around and badmouth anyone that I work with, because at the end of the day, we all have to sit in front of each other and agree or disagree.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
There's really no rule book for how you end a relationship, so I would often feel really bad afterwards. I never wanted to hurt anyone just because I know exactly what that feels like.
Read Becoming a Writer by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don't ­really need any others, though if you want to boost your confidence, "how to" books seldom do any harm. You can kick-start a whole book with some little writing exercise.
I think every human being knows how to hate. Because if they didn't know how to hate how to hate they wouldn't know how to love.
I think in the end, I want to make sure that my kids come out of this thing on the other end in one piece. But I also know that that's how the rest of the country feels as well, so for that I am grateful.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
I'm not a writer because I want to make money. I'm a writer because I'm a very slow thinker, but I do care about thinking, and the only way I know how to think with any kind of finesse is by telling stories.
A good writer preserves an air of freedom in his prose, so that the reader won't know how a story will end - even if he's reading a history book.
I'm in love. And I like how that feels. And I hate how that feels. Because love is an invention of fiction writers.
For me to get to work with a writer-director over time in developing a project - my investment feels much more profound. I know that whatever is on the other end I'm going to feel that much closer to.
'Orthodoxy' is the seminal book of ideas in my life. That book I've read more than any other book. It's the spinal column that leads up to my brain and informs the way I think. Flannery O'Connor is my favorite American writer.
A writer is a man like any other: he dreams. And my dream was to be able to say of this book, when I finished: 'This is a book about Alentejo.'
I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.
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