A Quote by Karin Tidbeck
Happily, fantastic fiction is slowly gaining in status.
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Fantastic fiction covers fantasy, horror and science fiction - and it doesn't get the attention it deserves from the literati.
Miss Prism: Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days. Cecily: Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don't like novels that end happily. They depress me so much. Miss Prism: The good ended happily, and the bad unhappily. That is what fiction means.
One of the fantastic things about books, fiction or non-fiction, is the way they give you a chance to look into different lives.
Contentment and happiness! Do everything happily. Walk,
talk, sit happily; even if you complain against somebody,
do it happily.
Earthly families all look different. And while we do the best we can to create strong traditional families, membership in the family of God is not contingent upon any kind of status - marital status, parental status, financial status, social status, or even the kind of status we post on social media.
The good ended happily, and the bad unhappily. That is what fiction means.
When I write short fiction or novellas, I like to leave a hint of the fantastic, of the unreal. If you write a completely fantastic novel with ghosts and everything, the effect is less powerful than if you portray an absolutely realistic situation and, in the middle of this, you put a layer of fantasy, of mystery.
Simply put, no society can truly flourish if it stifles the dreams and productivity of half its population. Happily, I see evidence all over the world that women are gaining social and economic power that they never had before. This is good news.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
Nazism promoted Germany from a low to a fantastic physical and ideological status.
I write my first draft by hand, at least for fiction. For non-fiction, I write happily on a computer, but for fiction I write by hand, because I'm trying to achieve a kind of thoughtless state, or an unconscious instinctive state. I'm not reading what I write when I wrote. It's an unconscious outpouring that's a mess, and it's many, many steps away from anything anyone would want to read. Creating that way seems to generate the most interesting material for me to work with, though.
I was thinking one of the great things about fiction is we, as a race, only get to look out of our own eyes at the world. And fiction is a fantastic way of looking out through somebody else's eyes.
Celebrity status for me came slowly. I wasn't an overnight sensation. I had time to prepare emotionally.
She wanted happily ever after more than he could possibly know. She wanted forever. Problem was, she just wasn’t sure she believed in it anymore. It was why she clung to her fiction so much. She immersed herself in books because there she could be anyone and it was easy to believe in love and happily ever after
We Jews who willingly and happily confirm our covenantal status and its attendant rights and duties must take the question of mission seriously: either to accept it or reject it knowingly and with conviction.
Writers can express ideas and emotions that are important to them but have no other means of expression. Some of these ideas may be fantastic, and some of the emotions may be given clearer voice in fantastic fiction.
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