A Quote by Karina Longworth

In terms of the way the industry operates, the studio system was such its own thing. It's so different now that it's a globalized world. — © Karina Longworth
In terms of the way the industry operates, the studio system was such its own thing. It's so different now that it's a globalized world.
We are now living in a completely digitalized world and a completely globalized world, so we have to find some new mechanisms and values to deal with this post-digitalized and post-globalized world.
I had invented my own system, my own way of making electronic music at the San Francisco Tape Music Centre, and I was using what is now referred to as a classical electronic music studio, consisting of tube oscillators and patch bays. There were no mixers or synthesizers. So I managed to figure out how to make the oscillators sing. I used a tape delay system using two tape recorders and stringing the tape between the two tape machines and being able to configure the tracks coming back in different ways.
The way I formed my studio and how I organize things actually came out of the model of the Japanese animation studio and the manga industry. The manga industry is gigantic in Japan.
Africa is a very special place, the people are very special there. There is a lot of love, and a lot warmth and a lot of light that is there. I think that if we aren't careful with places like Africa, in terms of the way that we set up our way of living, which now I think that most of the world operates on. If we don't focus on the steps towards creating a more peaceful structure right now, we could possibly wipe out full nations, cultures and species as as we have in the past.
In the '90s, indie movies could get financing, because financers gave money straight to directors... Now it's a different system. Indie movies got co-opted by the studio system.
I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.
I think what we're going to ultimately recognize is that capitalism was a transitional and immature system. It got the planet to be globalized and now something else has to emerge. We have to be the ones. We can't wait around. Nobody else is going to do it for us. We have to be the ones who create that new emerging system.
Business culture operates differently in different cities around the world. But I don't think it's possible to design one system that incorporates all social norms for networking. Human beings are just too diverse.
A beautiful woman in our culture, and I would like to say, you know, this was different in 1962, but it still exists today - I know a lot of these women -treats different in a different way; meaning that if you're a beautiful woman, you're incredibly powerful within our culture. The world operates differently for you. Then, at a moment in time, and it has nothing to do with you, it's like the carpet is just ripped out from under you, and the way that you've operated in the world no longer works.
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
With what Trump is doing now, provoking North Korea, risking actual destruction of part of the US, he is violating the system's rules on its own terms. He's committing an actual threat against US national security. And you would think that in just pragmatic political terms in Washington, that is the kind of thing that could be grounds for impeachment. But as long as he sits in that chair, it's true, the commanders are obligated to obey his order.
This is the hardest thing to articulate: I think that there is a legitimate space for sexual commerce. And like every other industry, particularly the service industry, the workers are getting the short end of the stick. Are there some industries that just shouldn't exist? Yes. But I don't think the sex industry is one of them. As it currently operates it's not damaging, necessarily, but it might itself be damaged. It's busted.
The case for industry breakups comes from Thomas Jefferson's idea that occasional revolutions are important to the health of any system. As he wrote in 1787, “a little rebellion every now and then is a good thing, and as necessary in the political world as storms in the physical one.
The cool thing about being different in this industry is that you get different roles; you aren't pigeonholed the same way.
What we experience is our own concept of things. That is why no two people see quite the same world, and why, in many cases, different people see such different worlds. To put it another way, we make our own world by the way in which we think; for we really do live in a world of our own thoughts.
I had just finished reading The Day of the Locust when this piece was brought to my attention, and I was like, "How do you create art in the system, the way it is?" Looking around the studio film landscape, there are all of these great superhero movies, which is fantastic, especially for my kids, but it's hard to find real art house films in the studio system, these days.
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