A Quote by Karina Longworth
If you look at pictures of David O. Selznick , he wasn't even attractive. There's no way to portray him in a way that is glamorous, but that's one of the things that's fascinating to me about him.
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I did an imitation of him to make the crew laugh. To my shock, there was Cary Grant behind me. He got very angry. I was sent all the way from RKO to David Selznick's office and was told not to do it anymore. I thought to myself, 'I must have been pretty good to make him that angry.'
I watched the way Hillary Clinton talk now about how lovely everything is and how wonderful she is. It doesn't work that way. She was after him, she was trying to - she even sent out or her campaign sent out pictures of him in a certain garb, very famous pictures. I don't think she can deny that.
It's a good thing that me and Coach Gruden think the same way. Him and I are more similar than people even know. We just are... him and I think the same way, we watch, we study the same way and all those kind of things.
Phrases like Worship Service or Service of Worship are tautologies. To worship God means to serve him. Basically there are two ways to do it. One way is to do things for Him that He needs to have done - run errands for Him, carry messages for Him, fight on His side, feed His lambs, and so on. The other way is to do things for Him that you need to do - sing songs for Him, tell Him what's on your mind and in your heart, in general rejoice in Him.
Like everyone, I was a huge fan of David Boies, and from what I knew about him, I thought he might 'get' me. So I sent him an email. I said I want to practice law but that I didn't want to stop writing and I asked if there was any way I could practice law for him.
Filmmakers are stuck with my glamorous image. Even if I sit in track pants and a T-shirt, I will still look glamorous. That's the way I am. But there's more to me. I'm a real person.
We get crazy when we can't make things be like the world tells us they are". She looked back out the window. "It was that way for me and your brother, I think. I mean, how could I have loved him that last year? I didn't even know who he was. He was way more attracted to drugs and bikers and that whole lifestyle than he was to me. But somebody told me that if you really loved somebody,you stayed with him no matter what. You had to fight for him." She laughe. "Hell, I was convinced.
The war had made a man of him! It had coarsened him and hardened him. There was no other way to look at it. It had made him reach a point at which he would no longer stand unbearable things.
Even if I make fun of him, I try to portray him as a human being. Sometimes because he's the great Jean-Luc Godard, we see him as a concept.
I came to Him because I did not know which way to turn. I remained with Him because there is no other way I wish to turn. I came to Him longing for something I did not have. I remain with Him because I have something I will not trade. I came to Him as a stranger. I remain with Him in the most intimate of friendships. I came to Him unsure about the future. I remain with Him certain about my destiny. I came amid the thunderous cries of a culture that has 330 million deities. I remain with Him knowing that truth cannot be all-inclusive.
You cannot gauge the intelligence of an American by talking with him; you must work with him. The American polishes and refines his way of doing things-even the most commonplace-the way the French of the 17th century polished their maxims.
Even if you find him. Even if he didn't leave you on purpose, he can't possibly live up to the person you've built him into." It's not like the thought hasn't occurred to me. I get that the chances of finding him are small, but the chances of finding him as I remember him are even smaller. But I just keep going back to what my dad always says, about how when you lose something, you have to visualize the last place you had it. And I found?and then lost?so many things in Paris.
No way they could threaten him, not even with Amelie; he'd already given Amelie the finger on the way out of Morganville and he clearly wasn’t worried about her coming after him— or, if so, what would happen when she did.
When you have a popular hero in your film, you have to think of what the masses expect from him. You have to portray the hero in such a way that they should adore him.
I loved Jack because of every little thing about him. The way he laughed, the way he made me smile, the way he'd stay up until nine in the morning watching zombie movies he'd seen a hundred times, and the way he could never hold a grudge. I loved him because I loved him, not because it was fate or destiny or in my blood, We had chosen each other, and that felt more powerful and more magical.
He didn't see me looking at him, but I could tell the ceremony was having the same effect on him. He was enraptured. It was a rare and sweet look for him, reminding me of the tortured artist that lived beneath the sarcasm. I liked that about Adrian—not the tortured part, but the way he could feel so deeply and then transform those emotions into art.
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