A Quote by Karine Vanasse

'Polytechnique' changed everything in my way of working. I became an adult, really, during those five years. I didn't work on anything else but 'Polytechnique.' — © Karine Vanasse
'Polytechnique' changed everything in my way of working. I became an adult, really, during those five years. I didn't work on anything else but 'Polytechnique.'
From 'Polytechnique,' I started to get scripts and after 'Incendies,' of course, it exploded.
Polytechnique is a school whose multidisciplinary, very high scientific level curriculum is invaluable.
Polytechnique is a school whose multi disciplinary, very high scientific level curriculum is invaluable.
Fascinated by history during my secondary education, then by physics and mechanics at the Ecole Polytechnique, I finally entered the national administration of mines in 1936.
I had been here five years already, training very hard, learning about the systems, the shuttle, the station systems. But, everything really became real when I started to work with them.
I was a professional gambler. When I lived in London, there were a couple of years when I didn't really earn money doing anything else. I mean, I did other things: like, I made work, and I was working with Derek Jarman at the time, but the way I made money was putting money on horses.
I was powerless over my childhood but the coping strategies that I developed, to survive, all of which were creative and brilliant and got me through, as an adult those became my defects of character. Those became my shortcomings, control and all that kind of stuff... and that's my responsibility. I was a blameless child in what happened in the home; I take responsibility for my behaviors as an adult.
Music, from the time I was probably about five years old, was my obsession. I was going to say 'passion,' but I really was obsessed; I really didn't want to do anything else.
I've had two great years, probably five good years. So I had 20 years of just kind of uncertainty and suffering and ego destruction and poverty. All these things. There's no way I'm ever going to catch up to the misery years. It's impossible... If I don't do anything dumb or I don't get a disease or something, and then I've got to five to eight years I think where it'll really be great and then it will start to degenerate like uranium, you know?
I was working at a non-profit for five years. But I could always create music after work. All throughout those years, I was writing songs and recording music and performing around town.
Five years from the date of the attack that changed our world, we've come back to remember the valor of those we lost-those who innocently went to work that day and the brave souls who went in after them. We have also come to be ever mindful of the courage of those who grieve for them, and the light that still lives in their hearts.
Technology has changed the way book publishing works, as it has changed everything else in the world of media.
I have been acting for almost 20 years now. At first it changed in my focus and how much I wanted to act. When I was younger, it was so much fun, and I really wanted it, but it was not competitive. Then I became a teenager and it became kind of competitive and not as much fun. I pulled back and I got lazy about it, where I was like, "Yeah, I guess, I'll do small parts in cool movies," but I wasn't really trying to say anything.
These five years as a couturier have really changed my way of seeing fashion and my confidence with fashion. Couture is a dream.
I basically took six or seven years off, but then I had another five or four of me not working at all because I was in school. It was really 13 years of me not working at all... I really couldn't even think about it.
When I was younger, I felt pressure to become someone else once I became successful. But it's the intention of the work that's changed. I have fans now. I have a new purpose: to remind them that I am one of them, that we are one another. My consciousness has changed.
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