A Quote by Karishma Tanna
I don't know why people feel that I am only interested in films, but I very much want to do fiction. My only prerequisite is a good role, something which satisfies the actor in me. If I get a good banner and a good channel, I would definitely do a daily soap.
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In films, you work for three to six months, and you're out of the character. But for a daily soap, you don't have that luxury. So the character has to be convincing. Otherwise, your mind is not in it, and you're just working for money, which is a good amount in serials. But I want both: good acting and good money.
I am not from a film family. I don't know much, but I definitely knew that if I want to be a good enough actor, I should be able to do any sort of role.
The good thing about films is, you never know how good they will be. If there was a formula, there would only be good films!
I want to do movies, but I want to do something that's good. I don't want to make any more films until I feel that I'm ready for it. I want to have good work, and a very elegant life. I believe you get what you want.
I don't know why we're not interested in seeing good people. I think we like seeing good people, but only if bad things happen to them. Which is weird, isn't it?
If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.
For people who seriously want to get into voiceover acting, clearly the most important thing is that you must be a good actor. That comes first. That's why celebrities get so much work in voiceovers - we've seen their work, we know they're good actors.
I just don't want to be bored. That's the only criteria I have when I choose a role to play. I like it if the script is good and the director seems like he's gonna be good. But if I can find a variety of things to do, which I feel like I manage to do, as far as the actual performing goes and the character, that's huge for me. To be able to feel like I can do a fairly diverse array of things. I've been lucky in that way. I don't mind being stereotyped in some way and playing certain kinds of guys, but if I can find something to occasionally get a break from that, that would be nice.
I'm always astounded that people know who I am and what I do. I still have a lot of anonymity and that's good. I don't get bothered in restaurants and stuff like that. But when I'm at events that are really geared toward animation fans, they know who I am. And I'm so very pleased and so flattered by it. People are extremely complimentary to me, and that only encourages me to continue to do more really good work. I get paid by the studios, but I know I work for the fans.
Upbeat is for people who want to feel good about their cause: the reformers, the progressives, the revolutionaries, the utopians, the collectivists, and the rest of the altruistic scum of the earth. Why do these people want to feel good? They want to feel good in order to convince themselves that they are good.
If I get good films, I would definitely do them. But most of the stuff that I get is not good at all. They were not good scripts.
There is a bit of a once a soap actor always a soap actor thing, but I do think people still recognise talent. If youre good at something, then people have no choice but to accept it.
Directing is a big responsibility to take on. I think I'm only good at doing things I know very well. I don't direct movies because I get offered the new vampire movie or science fiction movie. I don't get offered those, anyway, but if I did, I would just tell 'em, "Look, I'm the wrong guy." I only do things about people and situations, and I do the ones that I think I'm the best guy for the job on, which is usually something I generate myself.
All I know is that I intend to do films which are different from each other, work with good directors and on great stories so that I get to grow as an actor. That's my only attempt.
When fiction started on TV, the daily soap splurge happened and I knew that I would not get caught in a daily soap.
I am 100-films old. In my heyday, I have done a lot of commercial films, including dancing around the trees with the heroine. But after working with Rituparno Ghosh, my understanding of cinema changed. Whatever good I am doing, it is because of him. If I am being called a good actor, it is only because of him.
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