A Quote by Karishma Tanna
Whether it's something happy or sad, I like to share everything with my mother.
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I've had an amazing life, but I think I was born with a little bit of sadness in me. I've always been attracted to those things, whether it's sad movies, sad music... when you're sad, you feel everything in a greater way than you do when you're happy.
If you are female, and conditions are otherwise apt, you are supposed to decide whether you want to become a mother by thinking carefully about whether you really want to have a child of your very own, what it would be like to be a mother, whether this is something you really want and will be happy with, etc. In general, you are supposed to evaluate whether you should have a child largely on the basis of what you think it will be like for you to have a child.
My label, my genre, my everything is happy sad - I do a smiley face with eyes on both sides. So basically to me, it's totally okay to be happy and sad at the same time, it's totally okay just to be sad, it's totally okay to be happy.
What a sad story, I thought for so long. Not that I now think it was happy. But I think it is true, and thus the question of whether it is sad or happy has no meaning whatever.
For a moment, I thought of the word happy and it was a word that just, well, it felt like it was visiting me. I knew it wouldn’t last for very long and I’d be sad again and then it would be worse because it’s one thing to be sad and it’s another thing to be sad once you’ve been happy. Being sad after you’ve been happy is the worst thing in the world.
Even in novels where the love relationship isn't the focus, I feel like it's often there, and the background is some barometer of whether this is a happy or sad story or whether this is a successful or unsuccessful life.
Joy is not dependent upon outward circumstances. Joy is something that we can have under all circumstances when we are sad or happy. Outward circumstances are always neutral. They seem to be happy or sad according to the happy or sad attitudes of the mind.
You want people to feel something when you tell a story, whether they feel happy or whether they feel sad.
Everything is relative in this world, where change alone endures. Everything is better than some things and worse than others. Which you choose to compare your experiences and situation with determines whether you will be happy and grateful or sad and jealous.
It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.
Whether you are happy or whether you are sad, it is wise to remember you are really in process.
Every normal woman that is a mother will do everything for your baby to make sure he is happy. Every mother understands that the baby is only happy being with his or her mother.
Everybody should live quietly whether his experiences are happy or sad, whether they are successes or failures.
That is contentment.
I think people appreciate a songwriter who shows different sides. The whole angst thing is cool, but if that's all you've got, it's just boring. Everything I write, whether it's happy or sad, has a sense of humor to it.
The saddest kind of sad is the sad that tries not to be sad. You know, when sad tries to bite its lip and not cry, and smile and say, "No I'm happy for you"? Thats when it's really sad.
George, who is out somewhere there in the dark, who is good to me - whom I revile, who can keep learning the games we play as quickly as I can change them. Who can make me happy and I do not wish to be happy. And yes, I do wish to be happy. George and Martha: Sad, sad, sad. Whom I will not forgive for having come to rest; for having seen me and having said: “Yes, this will do”. Who has made the hideous, the hurting, the insulting mistake of loving… me, and must be punished for it. George and Martha… Sad, sad, sad.
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