A Quote by Karl Blossfeldt

Nature educates us into beauty and inwardness and is a source of the most noble pleasure. — © Karl Blossfeldt
Nature educates us into beauty and inwardness and is a source of the most noble pleasure.
The scientist does not study nature because it is useful to do so. He studies it because he takes pleasure in it, and he takes pleasure in it because it is beautiful. If nature were not beautiful it would not be worth knowing, and life would not be worth living. I am not speaking, of course, of the beauty which strikes the senses, of the beauty of qualities and appearances. I am far from despising this, but it has nothing to do with science. What I mean is that more intimate beauty which comes from the harmonious order of its parts, and which a pure intelligence can grasp.
Céline Labaune has the knowledge, passion and dedication to finding us only the best truffles from the most reliable source of truffle pickers. It is always a pleasure and a relief to work with the ones who care the most!
...pleasure, of course, is a slippery word.... Our pleasures ultimately belong to us, not to the pleasure's source.
No longer conscious of my movement, I discovered a new unity with nature. I had found a new source of power and beauty, a source I never dreamt existed.
love of learning is the most necessary passion ... in it lies our happiness. It's a sure remedy for what ails us, an unending source of pleasure.
Beauty is no dead thing. It is the manifestation of God in nature. There is not one object in nature untouched by man that is not beautiful, for God's manifestation is beauty. It shines through all His works, and not only in those that may give pleasure to man.
It is not so much in buying pictures as in being pictures, that you can encourage a noble school. The best patronage of art is not that which seeks for the pleasures of sentiment in a vague ideality, nor for beauty of form in a marble image, but that which educates your children into living heroes, and binds down the flights and the fondnesses of the heart into practical duty and faithful devotion.
Art on the contrary sought this harmony in practice [of art itself]. More and more in its creations it has given inwardness to that what surrounds us in nature, until, in Neo-Plasticism, nature is no longer dominant. This achievement of balance may prepare the way for the fulfillment of man and signal the end of (what we call) art.
Look at the great athletes, musician, artists, and writers. They all tap into a source. Some call that source God or soul or spirit or consciousness. The Seven Faces of Intention: creativity, kindness, love, beauty, expansion, abundance, and receptivity. And all seven are expressions of what I imagine that source to look like. The very fact that we exist is proof to me that the nature of that source is creative at its core. And there isn't a person reading this who does not have a gnawing sense inside that there's something they're here to do, something creative.
A close contact with nature has been a focus of my life since childhood and has been my inspiration both professionally and personally. I believe that for most of us, most of the time, it is in the everyday experience of beauty, certainly in nature and in music, that we sense a heaven half-revealed and come closest to the true meaning of reality.
The artificial noble shrinks into a dwarf before the noble of nature; and in the few instances (for there are some in all countries) in whom nature, as by a miracle, has survived in aristocracy, those men despise it.
Children have become disengaged from nature and we need to reintroduce them to the pleasure that it brings. If we do that they will care for it. Through the simple act of planting a tree we can open their eyes to nature's beauty.
In my heart I believe that biology is the beginning and the end of everything. It's the biggest source of ideas, the biggest source of invention. Nobody can invent better than nature and so if you like nature is my biggest source of inspiration.
There are three things that are the motives of choice and three that are the motives of avoidance; namely, the noble, the expedient, and the pleasant, and their opposites, the base, the harmful, and the painful. Now in respect of all these the good man is likely to go right and the bad to go wrong, but especially in respect of pleasure; for pleasure is common to man with the lower animals, and also it is a concomitant of all the objects of choice, since both the noble and the expedient appear to us pleasant.
Nature grinds all of us. Keep count of the ounce of pleasure you get. In the long run, nature did her work through you, and when you die your body will make other plants grow. Yet we think all the time that we are getting pleasure ourselves. Thus the wheel goes round.
I think Whitman more than any other poet possessed the gift of revealing to others the beauty of everything around us, the beauty of nature, the beauty of human beings.
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