A Quote by Karl Blossfeldt

The plant never lapses into mere arid functionalism; it fashions and shapes according to logic and suitability, and with its primeval force compels everything to attain the highest artistic form.
When I was young, all we ever heard about was functionalism, functionalism, functionalism. It’s not enough. Design should also be sensual and exciting.
In a way, the futile excuses many people use to cover their superstitions are demolished. They think it is enough to have some sort of religious fervor, however ridiculous, not realizing that true religion must be according to God's will as the perfect measure; that He can never deny Himself and is no mere spirit form to be changed around according to individual preference.
It is possible--indeed possible even according to the old conception of logic--to give in advance a description of all 'true' logical propositions. Hence there can never be surprises in logic.
Your silent thoughts are like the roots of a plant. They remain hidden in the dark recesses of the earth, but from them stems the whole plant--its life and form, its strength and beauty. From them and through them the plant lives and dies. So, too, your thoughts, although hidden, are your real, vital force.
A sacred pride should grip us of not being satisfied with the mediocre but to strive (for we can do it, if we want to) with the exertion of all our strength to attain the highest. Let us scorn what is of this earth, let us ignore what is of heaven, let us leave absolutely everything worldly behind us in order to hasten to the abode out of this world, in the proximity of the sublime deity. We do not need to think of stepping back. Of being satisfied with second rank, let us strive for dignity and glory. To attain the highest.
The want of logic annoys. Too much logic bores. Life eludes logic, and everything that logic alone constructs remains artificial and forced.
Every form has its own meaning. Every man creates his meaning and form and goal. Why is it so important - what others have done? Why does it become sacred by the mere fact of not being your own? Why is anyone and everyone right - so long as it's not yourself? Why does the number of those others take the place of truth? Why is truth made a mere matter of arithmetic - and only of addition at that? Why is everything twisted out of all sense to fit everything else? There must be some reason. I don't know. I've never known it. I'd like to understand.
The funny thing is that the fashions from the '90s seem to sit so well with the fashions of 2016. Everything from then somehow skipped and came back.
It's about the connecting force from form to form. It's the toe bone connecting to the shoulder bone. It's the bacterial kick of life force, something growing out of nothing, forming itself out of something else. Form never stops. And form is always environmental.
Committing to a level you'll never attain may sound ridiculous, and it is. It's a form of insanity -- something also known as life. Everything moves forward or dies. Whether or not you actually move forward is irrelevant. What matters is that you never stop trying.
Fashions are not fashions at all but refashioning; language is not communication but reinvention. They are never in place but on display.
I never thought I was somebody that would be on the cover of magazines in fashions, wearing fashions. It's like not me. But that is what movie stardom entails.
Man cannot survive except through his mind. He comes on earth unarmed. His brain is his only weapon. Animals obtain food by force. man had no claws, no fangs, no horns, no great strength of muscle. He must plant his food or hunt it. To plant, he needs a process of thought. To hunt, he needs weapons,and to make weapons - a process of thought. From this simplest necessity to the highest religious abstraction, from the wheel to the skyscraper, everything we are and we have comes from a single attribute of man -the function of his reasoning mind.
The logic of the poet - that is, the logic of language or the experience itself - develops the way a living organism grows: it spreads out towards what it loves, and is heliotropic, like a plant.
There are fashions in building. Behind the fashions lie economic and technological reasons, and these fashions exclude all but a few genuinely different possibilities in city dwelling construction at any one time.
These revelations expressed through Art work upon the soul with a force carrying its own conviction and permeate our sentient life with a sense of truth which logic and mere reason are powerless to combat.
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