A Quote by Karl Ernst von Baer
All new ideas pass through three stages: first they are dismissed as nonsense, then they are rejected as being against religion and finally they are acknowledged as the truth, with the proviso from the initial opponents that they knew it all along.
Related Quotes
A great idea goes through three stages on its way to acceptance: 1) it is dismissed as nonsense, 2) it is acknowledged as true, but insignificant, 3) finally, it is seen to be important, but not really anything new.
New ideas pass through three periods: 1) It can't be done. 2) It probably can be done, but it's not worth doing. 3) I knew it was a good idea all along!
All truth goes through three stages. First it is ridiculed. Then it is violently opposed. Finally, it is accepted as self-evident. Facts are stubborn, and refusal to accept them does not avoid their inexorable effects-the tragic consequences are now upon us
All truth passes through three stages. First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident.
Three stages of truth for scientists:
It's not true.
If it is true, it's not very important.
We knew it all along.
A new idea is first condemned as ridiculous and then dismissed as trivial, until finally, it becomes what everybody knows.
Sports has always been a pass-through. You pay for something, and then you pass it through to television, you pass it through to advertisers, or you pass it through to season-ticket holders, luxury boxes and then the fans. Then it all adds up, and you take in more than you pass out.
There are three stages in scientific discovery. First, people deny that it is true, then they deny that it is important; finally they credit the wrong person.
You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.
I suppose the process of acceptance will pass through the usual four stages:
(i) this is worthless nonsense;
(ii) this is an interesting, but perverse, point of view;
(iii) this is true, but quite unimportant;
(iv) I always said so.
A lot of the fun lies in trying to penetrate the mystery; and this is best done by saying over the lines to yourself again and again, till they pass through the stage of sounding like nonsense, and finally return to a full sense that had at first escaped notice.
I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.
Effective collaboration is about maximizing time, talent and tools to create value. The old way was the pass-along approach. I do my job and then pass along my work product to you. You do your piece of it and pass it along to somebody else.
If you are only skeptical, then no new ideas make it through to you. You become a crotchety old person convinced that nonsense is ruling the world. (There is, of course, much data to support you.) But every now and then, a new idea turns out to be on the mark, valid and wonderful. If you are too much in the habit of being skeptical about everything, you are going to miss or resent it, and either way you will be standing in the way of understanding and progress.
When my record company rejected 'Full Moon Fever', I was hurt so bad. I was pretty far along in my career at that point. I'd never had anything rejected; I'd never really even had a comment. So when that happened, it was really just a board to the forehead. But then, finally, I picked myself up.
We usually start by asking the collaborators to submit a couple of ideas. Then, Larry and I will sort through all the submissions and choose the ones based on what we think will add most to the collection. Once the scripts are written, the stages are: rehearse, record, edit, sound design, foley and finally, the mix.
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