A Quote by Karl Glusman

I admire Mark Rylance immensely. — © Karl Glusman
I admire Mark Rylance immensely.

Quote Topics

I'd like to be in a play with Mark Rylance.
My favourite actor is Mark Rylance.
When I was about 12, I saw Mark Rylance do this play in New York City called 'Jerusalem' and that really changed the game for me.
There are a number of World War II historians I admire: Cornelius Ryan, Mark Stoler, Antony Beevor, to name a few. As for generals, there are those I admire as combat leaders and others I admire because they're great fun to write about.
I'm as thrilled watching Mark Rylance do Shakespeare as I am watching 'The Book of Mormon.'
Mark Rylance is one of my heroes. I saw 'Jerusalem' four or five times, twice in New York, twice in London.
I admire Mark Zuckerberg... for not selling out, for wanting to make a company. I admire that a lot.
At drama school, I got a job choreographing and teaching the fights for Mark Rylance doing 'Hamlet' at the Globe in London when I was only 19. They made me fight captain.
I watched Mark Rylance in the Broadway revival of 'La Bete,' and it knocked my socks off. The complete commitment, passion, and unbridled enjoyment in every moment of what he was doing was overwhelming.
I was raised with the idea that the arts were a doss - but the arts are vital. If you see Mark Rylance perform Shakespeare at the Globe, you know it's a spiritual act.
Cezanne was fated, as his passion was immense, to be immensely neglected, immensely misunderstood, and now, I think, immensely overrated.
Acting is a sport - especially working with Mark Rylance. There is competition involved. I have to be muscular, challenging, get audiences on side. It's extraordinary how Globe audiences join in - it's like competing at an event - I love it.
She's an immensely powerful woman, and I just admire my mother very much.
I never wanted to do Shakespeare; I never liked watching it, it's always frightened me, and I've never been any good at it. But I really wanted to work with the director Tim Carroll and Mark Rylance.
I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.
I suppose that there might have been leading men who were put off from casting me as the ingenue because I was taller than they were, but I've no idea that this ever happened. When I did 'Much Ado About Nothing' opposite Mark Rylance in the West End, we used the difference in our heights as part of their relationship.
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