A Quote by Karl Glusman

With 'Enter the Void,' I didn't know you could go to this place of surrealism in a movie. I felt sick when I watched it. It really stuck with me. — © Karl Glusman
With 'Enter the Void,' I didn't know you could go to this place of surrealism in a movie. I felt sick when I watched it. It really stuck with me.
The worst thing ever for me is go see a movie, and the next day I go, 'What did I do last night? I have no memory of this $300 million movie I watched because I felt nothing.'
I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.
The look he gave me...My stomach quivered in that exact same way when I watched Before Sunset, yearning for a guy to know me so deeply and truly, we were only really complete when we were together. That I could talk, go on wild tangents, make obtuse references, and he would divine my meaning before I knew what I was trying to say myself. Erik had fallen asleep next to me on the couch, complaining later that the movie was "just people talking." He had no idea that this movie could have been a love letter written for me.
If everyone's happy, then I'm the character where when I enter that means there's trouble. In a movie, when I enter, it's not a good thing. But I know where I'm at. But, you know, you don't have to call me by my character's name for months on end. Football taught me that, because you can go from being best friends to having to play that person on another team, you have to be able to turn that on and off. You need to find that middle ground.
One of the pleasures of being an actor is that it takes you places you wouldn't ordinarily go, and you don't enter as a tourist, you really enter the life of the place.
All things are void. So how possibly could there be any obscurations since everything is void, when you're void itself? There's only the void. In the void, there's only shining, perfect clear light of reality.
I've never been lonely. I've been in a room... I've felt suicidal, I've been depressed. I've felt awful ... awful beyond all , but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude.
I remember the special quiet of rainy days when I felt that I could enter the pages of my beautiful picture books. Now I try to recreate that feeling of believing that the imaginary place I'm drawing really exists. The detail in my work helps to convince me, and I hope others as well, that such places might be real.
Getting pregnant and caring for a baby gave me a confidence I'd never had before. I really felt I'd done something well, and I can't say that about anything else in my life. I've never watched a movie I've appeared in and thought, wow, I was great. I always think, oh, I could have done this better.
It's always a thrilling experience to go into a place that offers you a lot of choice. You know it's like it reminds you of when you're a kid and you go to the amusement park and whether it be Disneyworld or Six Flags you know that thrilling moment when you first enter and you know you've got all these possibilities for the day and it's really a... it's a wonderful feeling.
Not proud. But I watched 'The Bachelor' only once, and I really felt, after that experience, that I could never do it again. I felt it was so morally compromising, as a woman.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
It's depression. You can't put it into words. You get stuck and time passes by. I'm stood there on the edge of a cliff, can't go back and can't go forward. Days go by. I'm still in the same place. Everyone else's life goes on, but you're stuck. You try and try and try and I don't know how, but you came out of it eventually.
I know the void, the void knows me. It keeps us weak; the void told me.
I'm a massive hater of 3D. I don't like it at all. For me, you go to a movie theatre and you want to be taken to a place and transported to a place and be in that environment, and I know 3D is meant to do that, but the effect for me is the reverse. I feel like I'm looking though muddy water, and I can't really see the image.
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