A Quote by Karl Kraus
I have often been asked to be fair and view a matter from all sides. I did so, hoping that something might improve if I viewed allsides of it. But the result was the same. So I went back to viewing things only from one side, which saves me a lot of work and disappointment. For it is comforting to regard something as bad and to be able to use one's prejudice as an excuse.
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I can read a newspaper article, and it might trigger something else in my mind. I often like to choose in historical fiction things or subject matter I don't feel have been given a fair shake in history.
One of the things I talk a lot about in my work that I try to practice - which is really hard - is in those moments where we're being asked to do things or asked to take over or asked to take care of something, we have to have the courage to choose discomfort over resentment. And to me, a huge part of my authenticity practice has been choosing discomfort and saying no.
... when something is detestable, and yet inevitable, what one must do is not merely to endure it-a hard task whatever one may do-but find an excuse for loving it. Everything is a matter of points of view, and misfortune is often only the sign of a false interpretation of life.
I don't necessarily view death as something negative. Death gives meaning to life. Living in fear of death is living in denial. Actually, it's not really living at all, because there is no life without death. It's two sides of the one. You can't pick up one side and say, I'm just going to use the 'heads' side. No. It doesn't work like that. You have to pick up both sides because nothing is promised to anyone in this world besides death.
One of the greatest features of science is that it doesn't matter where you were born, and it doesn't matter what the belief systems of your parents might have been: If you perform the same experiment that someone else did, at a different time and place, you'll get the same result.
Don't get paparazzi following me everywhere. My life there is exactly the same as it would have been if I had not been in Harry Potter. So for me, Harry Potter isn't something that changed my life. It's just something I did that was a lot of fun, and I got to experience amazing things from. But my actual, personal life is the same.
I think the two sides to me are the same as two sides to anybody. In relation to the link between doing the label and being a DJ, it goes back to the thing of necessity. It's the only way I feel I can do something creative that's going to satisfy me.
The Theory of Groups is a branch of mathematics in which one does something to something and then compares the result with the result obtained from doing the same thing to something else, or something else to the same thing.
I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.
I had co-written one episode of an animated show called Jem and the Holograms. Which at the time I didn't view as the start of a career, I viewed it as, "Hey, someone wants to pay me to write something, and I might get a TV credit, isn't that cool?" So I did it with my writing partner at the time, Cary Bates, and it was interesting but it didn't lead to anything and I didn't think too much about it.
I have a theory that there is something abnormal about children who like to practice instruments They are either geniuses or, more often, completely untalented. I certainly did not like to practice, and the teacher who hit me, and the view of the park, did not help to improve my attitude.
I often meet frustrated young writers who say they've only got so far and just can't finish a book. Even if you don't happen to use what you've worked on that day, it has taught you something and you'll be amazed when you might come back to it and use it again.
I think place and time for me is often a matter of convenience, something I can use to another end rather than something I'm trying to define because it's somehow fascinating to me in itself. It's more what the place can do for the larger goals I have for the work.
When you use an excuse for not accomplishing something or not completing a project, you are actually giving power to someone or something outside of yourself.
Regardless of what happens today, absolutely refuse to use an excuse to get off the hook.
We notice in others only those things that relate to ourselves. For example, you could find someone hilarious and brilliant, and I could find the same person idiotic and annoying. It's the same person doing the same thing, but because we are viewing them from our own unique perspectives, they mirror back to us something different.
When you do one more 'Cinderella' or whatever, what is there to learn? Every part in the repertoire has a good side and a bad side, and the more often you do the same ballet, the more often the bad side comes out. If you want to give dance life, you must give it fresh food, not keep going back to the garbage to look for old scraps.
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