A Quote by Karl Kraus

A historian is often only a journalist facing backwards. — © Karl Kraus
A historian is often only a journalist facing backwards.
A historian is not always a prophet facing backwards, but a journalist is always someone who afterwards knew everything beforehand.
Through searching out origins, one becomes a crab. The historian looks backwards, and finally he also believes backwards.
I worked for a brief spell as a journalist, but soon I discovered that I didn't want to be a journalist - I wanted to be a historian.
I knew that a historian (or a journalist, or anyone telling a story) was forced to choose, out of an infinite number of facts, what to present, what to omit. And that decision inevitably would reflect, whether consciously or not, the interests of the historian.
But courage in fighting is by no means the only form, nor perhaps even the most important. There is courage in facing poverty, courage in facing derision, courage in facing the hostility of one's own herd. In these, the bravest soldiers are often lamentably deficient. And above all there is the courage to think calmly and rationally in the face of danger, and to control the impulse of panic fear or panic rage.
I'm not especially interested in the job of the historian or journalist of trying to figure out what was true and what was not.
Susan Campbell has brought Isabella's fascinating forgotten story back to life with the deep research of a born historian and the vibrant readable prose style of a veteran journalist.
I learned to run backwards from Muhammad Ali. He told me about running backwards because you try to imitate everything you do in the ring, so sometimes you back up. So you have to train your legs to go backwards.
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalist, or a documentarian, however you want to describe it - part of what I do has to be the pursuit of the truth.
I am an idealist. I often feel I would like to be an artist in an ivory tower. Yet it is imperative that I speak to people, so I must desert that ivory tower. To do this, I am a journalist - a photojournalist. But I am always torn between the attitude of the journalist, who is a recorder of facts, and the artist, who is often necessarily at odds with the facts. My principle concern is for honesty, above all honesty with myself.
Winning a rowing race is not like winning anything else. Here's my theory: you're facing backwards, so you're looking at the people you're beating--and there's something exquisite about that.
The one thing that shaped my life was when I was 15 or 16: I knew I wanted to be a journalist. And not just a journalist, but a journalist in the Middle East, and to go back to the Arab world and try to understand what it meant to be Lebanese.
When I meet a historian who cannot think that there have been great men, great men moreover in politics, I feel myself in the presence of a bad historian, and there are times when I incline to judge all historians by their opinion of Winston Churchill -- whether they can see that, no matter how much better the details, often damaging, of man and career become known, he still remains quite simply, a great man.
A Writer says: read what I have written An historian says: listen to my lecture A critic says: listen to what I think A journalist says: let me tell you a story.
The contemporary historian never writes such a true history as the historian of a later generation.
David Irving is not just a Fascist historian. He is also a great historian of Fascism.
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