A Quote by Karl Kraus
A good writer does not receive anywhere near the number of poison-pen letters that is commonly assumed. Among a hundred jackassesthere are not ten who will admit to being jackasses, and at most one who will put it in writing.
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Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.
To put it one way, a collection of Shakespeare's plays is richer than a phone book that uses the same number of letters; to put it another, the essence of information lies in the relationships among bits, not their sheer number.
What great profit you gain from God when you are generous! You give a coin and receive a kingdom; you give bread from wheat and receive the Bread of Life; you give a transitory good and receive an everlasting one. You will receive it back, a hundred times more than you offered.
Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out.
Most open letters undoubtedly come from a good place, rising out of genuine outrage or concern or care. There is, admittedly, also a smugness to most open letters: a sense that we, as the writers of such letters, know better than those to whom the letters are addressed. We will impart our opinions to you, with or without your consent.
I write in pen because it works. A fountain pen is no good for writing in the way I do because I'd have to decide, each time I stopped, how long I was likely to stop for in order to know whether or not to put the cap on. But I never know. So instead, I use a ballpoint - a Montblanc, to be precise - the most comfortably balanced pen I've ever found.
Reading good books is one distraction that will help you become a better writer. And writing - that's the thing - writing is what will really make you a better writer. Write bad stories until you begin to write so-so stories, which might, if you keep at it, turn to writing good stories.
But the writer who endures and keeps working will finally know that writing the book was something hard and glorious, for at the desk a writer must try to be free of prejudice, meanness of spirit, pettiness, and hatred; strive to be a better human being than the writer normally is, and to do this through concentration on a single word, and then another, and another. This is splendid work, as worthy and demanding as any, and the will and resilience to do it are good for the writer's soul.
I will be the first to admit that the sanctity of life and the preservation of religious freedom are not even among the top ten concerns of most voters. But those issues should be of primary importance to those who call themselves Christians.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
I assumed that, if I put my head down and did great work, what I deserved would come to me. What you deserve will not come to you. It is only in advocating for yourself that you will receive what you deserve.
I will always write myself a part. It will never be number one or two on the call sheet, but it will be number five through ten. That way they won't kick you off after you sell it.
People love to admit they have bad handwriting or that they can't do math. And they will readily admit to being awkward: 'I'm such a klutz!' But they will never admit to having a poor sense of humor or being a bad driver.
"Nought usually comes at the beginning," Ralph said. "Not necessarily," said Sibyl. "It might come anywhere. Nought isn't a number at all. It's the opposite of number." Nancy looked up from the cards. "Got you, aunt," she said. "What about ten? Nought's a number there - it's part of ten." "Well, if you say that any mathematical arrangement of one and nought really makes ten - " Sibyl smiled. "Can it possibly be more than a way of representing ten?"
I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly. My first drafts are filled with lurching, clichéd writing, outright flailing around. Writing that doesn’t have a good voice or any voice. But then there will be good moments. It seems writer’s block is often a dislike of writing badly and waiting for writing better to happen.
The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.
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