A Quote by Karl Kraus

Let my style capture all the sounds of my time. This should make it an annoyance to my contemporaries. But later generations should hold it to their ears like a seashell in which there is the music of an ocean of mud.
Your face will freeze like that, you know, Kat," Raffin said helpfully to Katsa. "Maybe I should rearrange your face, Raff," said Katsa. "I should like smaller ears," Raffin offered. "Prince Raffin has nice, handsome ears," Helda said, not looking up from her knitting. "As will his children. Your children will have no ears at all, My Lady," she said sternly to Katsa. Katsa stared back at her, flabbergasted. "I believe it's more that her ears won't have children," began Raffin, "which, you'll agree, sounds much less—
Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.
A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.
There are simply two kinds of music, good music and the other kind ... the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed.
Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.
It sounds to me like the OLED iPhone is a phone which Apple can't make 40 million of per quarter, at least not today. And if that's true, that means it should be more expensive. Not 'should' in any moral sense, but simply because that's how the principle of supply and demand works.
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
I always go for that live, honest feel when I'm going for that first rhythm track. I'll never hold back on a part just so it'll be easier for me to double it later on - to my ears, it sounds sterile if you do that. I always want to get that initial track kicking and full of slurs, squeals and feel. I'll worry about doubling it later!
That's what music should be like all the time. No stress, moving things forward, inspiring the youth, and doing it with style and vigor.
Whether for company or isolation or just to make it a pleasurable experience, I have music in my ears all the time. I tend to listen to the same things, so I don't really pay too much attention to it. But it's there, and it's nice, and I do pay more attention to it than I probably should. I think, 'How can I use this music in something?'
A stage set should not make a pretty picture of its own. The empty stage should look formal and pleasing, but should seem to be waiting for the action to complete it; it should not hold definite significance in itself.
Anger should be especially kept down in punishing, because he who comes to punishment in wrath will never hold that middle course which lies between the too much and the too little. It is also true that it would be desirable that they who hold the office of Judges should be like the laws, which approach punishment not in a spirit of anger but in one of equity.
A man's style should be like his dress. It should be as unobtrusive and should attract as little attention as possible.
The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.
It was a wise and useful provision of the ancients to transmit their thoughts to posterity by recording them in treatises, so that they should not be lost, but, being developed in succeeding generations through publications in books, should gradually attain in later times, to the highest refinement of learning.
Our objective should be to firmly deal with terrorism and its sponsors, financiers, and arms suppliers. At the same time, our doors should always be open for processes which would restore peace, development, and progress to societies which have been devastated by terrorism over many generations.
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