A Quote by Karl Kraus

I would have stage-fright if I had to speak with every one of the people before whom I speak. — © Karl Kraus
I would have stage-fright if I had to speak with every one of the people before whom I speak.
I've never had stage fright, that would mean you were paralyzed like a rabbit in headlights and you wouldn't be able to speak or move.
I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
I learned early on that one of the secrets to campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I did that in college. I did it when I carried my papers. I would always look ahead and speak to the person coming toward me. If I knew them, I would call them by name, but even if I didn't I would still speak to them. Before long, I probably knew more students than anybody in the university, and they recognized me and considered me their friend.
I was in sixth grade the first time I was required to speak in front of an audience. I had terrible stage fright and felt quite ill, in fact, by the time I had to give my little talk to students in another class across the hall.
When you speak universally, it means that you speak from the Moon, you speak from the Sun, from the stars; you speak by being in every corner of the universe!
When I go to Colombia or Mexico, I speak Spanish. When I go to Italy, I speak Italian. When I'm in Germany, I speak German. Would I expect them to speak English in these countries? No. I mean, great if they do, but no. Would I be offended if in Spain they say we speak Spanish? No. If I was an immigrant there, no.
I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.
Before prayer, endeavour to realise Whose Presence you are approaching and to Whom you are about to speak, keeping in mind Whom you are addressing. If our lives were a thousand times as long as they are we should never fully understand how we ought to behave towards God, before Whom the very Angels tremble, Who can do all He wills, and with Whom to wish is to accomplish.
The most difficult thing is that I don't speak Mandarin and I had this experience - of working in a language that I don't understand - before and it's really horrible. Eighteen years ago, I played a mute in one film because I couldn't speak Mandarin. There was another film where I had to speak Vietnamese. It's horrible!
Speak clearly, if you speak at all; carve every word before you let it fall.
True story - I had index cards; I would write things on them and post them on the mirror in the bathroom. And I would speak it. Because you have to speak life. You have to speak what you want. You have to watch what you say because it's power in your tongue.
If I had the opportunity to speak to a young immigrant girl that just arrived to the U.S. the advice I would have for her would be: ask, speak, search; because there are opportunities out there. And, know that you aren't the only immigrant or the last to come to this country. Many that have come before you have succeeded. It is possible.
I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.
The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
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