A Quote by Karl Kraus

Nothing is more horrible than my self in the mirror of hysteria. Nothing is more vulgar than my style in the hands of another. Toimitate me is to punish me. — © Karl Kraus
Nothing is more horrible than my self in the mirror of hysteria. Nothing is more vulgar than my style in the hands of another. Toimitate me is to punish me.
When hard times come, the greatest danger does not necessarily lie in the circumstances we face, but rather in the way we treat ourselves at the time. Nothing is more dangerous than self-hate. Nothing makes it more difficult to heal or to find the grace of peace than self-attack and the agony of self-doubt.
If you want to keep people subjugated, the last thing you place in their hands is a Bible. There's nothing more radical, nothing more revolutionary, nothing more subversive against injustice and oppression than the Bible.
There's nothing I hate more than nothing. Nothing keeps me up at night. I toss and turn over nothing. Nothing could cause a great big fight.
Nothing is more unreliable than the populace, nothing more obscure than human intentions, nothing more deceptive than the whole electoral system.
There's nothing that annoys me more than people being horrible to my mates.
Nothing is more contagious than genuine love and genuine care. Nothing is more exhilarating than authentic awe and wonder. Nothing is more exciting than to witness people having the courage to fight for their highest vision.
We might adapt for the artist the joke about there being nothing more dangerous than instruments of war in the hands of generals. In the same way, there is nothing more dangerous than justice in the hands of judges, and a paint brush in the hands of a painter! Just think of the danger to society! But today we haven't the heart to expel the painters and poets because we no longer admit to ourselves that there is any danger in keeping them in our midst.
To me there is nothing more sacred than love and laughter, and there is nothing more prayerful than playfulness.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
Nihil est incertius vulgo, nihil obscurius voluntate hominum, nihil fallacius ratione tota comitiorum. (Nothing is more unpredictable than the mob, nothing more obscure than public opinion, nothing more deceptive than the whole political system.)
No more painters, no more scribblers, no more musicians, no more sculptors, no more religions, no more royalists, no more radicals, no more imperialists, no more anarchists, no more socialists, no more communists, no more proletariat, no more democrats, no more republicans, no more bourgeois, no more aristocrats, no more arms, no more police, no more nations, an end at last to all this stupidity, nothing left, nothing at all, nothing, nothing.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
The odd thing about this form of communication is you're more likely to talk about nothing than something. But I just want to say that all this nothing has meant more to me than so many... somethings. So, thanks.
There is nothing more humanly beautiful than a woman's breasts. Nothing more humanly beautiful, nothing more humanly mysterious than why men should want to caress, over and over again, with paintbrush or chisel or hand, these oddly curved fatty sacs, and nothing more humanly endearing than our complicity (I mean the complicity of women) in their obsession.
The world around us is nothing more and nothing less than a mirror of what we have become from within.
For me, writing is a job. I do not separate the work from the act of writing like two things that have nothing to do with each other. I arrange words one after another, or one in front of another, to tell a story, to say something that I consider important or useful, or at least important or useful to me. It is nothing more than this.
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