A Quote by Karl Kraus

I like to hold a monologue with women. But a dialogue with myself is more stimulating. — © Karl Kraus
I like to hold a monologue with women. But a dialogue with myself is more stimulating.
We have been making constant efforts, all the time, to start dialogue with the SLORC, but you know it takes two. We don't want a monologue. We would like a substantive political dialogue among the SLORC, political leaders including myself, and leaders of ethnic groups-exactly as stipulated in the U.N. General Assembly resolution on Burma.
It's a dialogue, not a monologue, and some people don't understand that. Social media is more like a telephone than a television.
["Fear & Loathing in Las Vegas"] is a very hard book to translate to film because there's so much interior monologue. The what if factor. I tried to write it cinematically and let the dialogue carry it but I forgot about the interior monologue. It's kind of hard to show what's going on in the head. I think we should do it like a documentary.
When you're singing, it can be looked at as a monologue, in a way. If it's about telling a story and connecting with your audience, you can do that through song, through dialogue, or through a monologue. That's what's special about being an entertainer.
I think politics is always about dialogue. I think journalism ranges from dialogue to monologue, and there are times when different poles are necessary.
Millions of people are suffering: they want to be loved but they don't know how to love. And love cannot exist as a monologue; it is a dialogue, a very harmonious dialogue.
Sharing my faith is not a monologue, it is a dialogue.
I love women. I love their hearts. There are a lot of women who are suffering. A lot of women who have been disappointed, have been let down. One thing I'd like women to know is the message: Hold on. Hold on. Be faithful to your kids. Hold on for the future because life doesn't always necessarily stay the way that it is. It will get better.
With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue... I think expositional dialogue is quite crass and not like real life.
But I really like our experimental, performance and monologue videos, where there's barely jokes in the video, where it's almost a joke in itself that the monologue is even being recorded.
A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet.
I actually felt like college was a much better and more comfortable environment for me than high school was. I think that can largely be attributed to the fact that I go to Barnard, which is a women's college that promotes women's leadership, a strong community and independence which are all things I obviously value. Before I got to school I think I expected most women there to identify as feminist, which I found wasn't necessarily the case, but I loved that I was able to have really intelligent and stimulating conversations with women about feminism no matter how they identified.
I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.
I'm sorry, if you've been married for five minutes, you've sacrificed something, you've looked over at your partner and have gone, "Oh my God this is the biggest mistake I've ever made in my life." And then the next moment it's "This is the most beautiful and extraordinary human being, and I'm going to stick with it because I love them more than anyone else." That monologue to me is the universal thing, especially for women because I feel like that's the big thing with women.
I feel like any single woman of color who's been onstage has a Shakespeare monologue in her back pocket, and a monologue from 'For Colored Girls.' It's just part of what you should have, as a woman of color.
When I get up to speak tonight, it's kind of a monologue. When I am talking with someone one-on-one, it's a dialogue. I ask them questions; I listen; I respond appropriately. I think we can do it in a loving way.
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