A Quote by Karl Lagerfeld

We live in a dark and romantic and quite tragic world. — © Karl Lagerfeld
We live in a dark and romantic and quite tragic world.
Vampires have become tragic or romantic figures. Vampire are largely seduction tales. They're no longer the scary creature in the dark.
I like dark humor. I think the world is very funny and tragic, and my photographs are basically dark Jewish humor.
We don't live in Disneyland. We live in blood and in time, not in Fantasyland. We live in a tragic world.
The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die.
This is a tragic world we live in.
'Scandal' has always lived in this dark place with this idea that Washington is filled with this underbelly of monsters, that if the real world understood how dark, twisted and corrupt it really was, they would never agree with our government or want to be part of it. It's been kind of fun to live in that world. It felt like a fictional world.
For a while he'd tried molding himself into the tragic Romantic hero, brooding and staring clench-jawed off into space as he composed dark verse in his head. But it turned out that trying to appear tragic in Incontinence, Indiana, was redundant, and his mother kept shouting at him and making him forget his rhymes. "Tommy, if you keep grinding your teeth like that, they'll wear away and you'll have to have dentures like Aunt Ester." Tommy only wished his beard was as heavy as Aunt Ester's---then he could stare out over the moors while he stroked it pensively.
I am eternally, devastatingly romantic, and I thought people would see it because 'romantic' doesn't mean 'sugary.' It's dark and tormented — the furor of passion, the despair of an idealism that you can't attain.
If, therefore, nonsense is really to be the literature of the future, it must have its own version of the Cosmos to offer; the world must not only be tragic, romantic, and religious, it must be nonsensical also.
Well, life is dark. We live in a very dark world. When they call them "dark films" it annoys me, because they're very real stories. They're stories I have seen or experienced or witnessed, and coming from that place, that is the hope of humanity.
A tragic life is romantic when it happens to somebody else.
I'd like to start writing scripts. I think I'd probably be inclined to write a very dark comedy or a tragic romance. As a kid, I used to write really dark stuff.
We live in a polarized world of contrived dualisms, dichotomies and paradoxes: light vs. dark and good vs. evil. We as Mexic Amerindians/mestizas are the dark. We are the evilor at least, the questionable.
I find 'Fatal Attraction' really romantic. I really like the seduction. Almost every time I see it, I'm surprised when it goes dark. I know that's the claim to fame, but I key into how genuinely romantic it is.
The dark comedies tend to be in a non-releasable area. There can be romantic comedies. There can be dramas. But there's no 'dark comedy' inbox for the advertising.
I do also think it eludes genre a bit - not in any groundbreaking way but you can't quite call it a comedy and you can't quite call it a romantic anything. It's not quite a drama either really. But it has elements of all those things.
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