A Quote by Karl Lagerfeld

Fashion is about two things: the evolution and the opposite. — © Karl Lagerfeld
Fashion is about two things: the evolution and the opposite.
Fashion is the opposite of the real, its worst enemy. Fashion photography is subversive; it makes you believe everything is true, whereas this could not be more false. It is the opposite of a mirror, a deformation.
It's kind of strange to be a free soloist when you know so much about flying, because I'm playing two opposite games, or practicing two polar opposite arts. One is the art of not falling. The other one is flying. With both those things spinning in my mind, there's a lot to process and it's pretty mind-boggling.
The first point one has to get straight in discussions like this, is that ID is not the opposite of evolution. Rather, it is the opposite of Darwinism, which says life evolved by an utterly unguided, undirected mechanism. If god directed the process of evolution, or rigged the universe to produce complex life, then that is not Darwinism - it is intelligent design.
The opposite of compromise is not integrity. The opposite of compromise is not idealism. The opposite of compromise is fanaticism and death. And yes, I know one or two things about fanaticism and death, and I reject them. The alternative to fanaticism and to death is not some miraculous realization that someone has been wrong and he has to apologize. No, the answer to fanaticism and to death is curiosity and compromise and concession.
You know, Darwin said through natural selection things go gradually, and he was talking about pigeon's evolution or horses evolving, getting faster. But in fact if you look at evolution on a bigger scale, cosmic evolution and you look at culture evolution you see it jumps, it goes through phase changes, and that's very exciting.
The story of Mirror Mirror is in many ways a story about evolution. Its about the evolution of a child into an adult. Its about the evolution of those dwarves into something a little less rock-like, a little more humanoid. Its about the evolution of history, too, from the darkness of the Middle Ages into the light of the Age of Reason.
The story of 'Mirror Mirror' is in many ways a story about evolution. It's about the evolution of a child into an adult. It's about the evolution of those dwarves into something a little less rock-like, a little more humanoid. It's about the evolution of history, too, from the darkness of the Middle Ages into the light of the Age of Reason.
I suspect the reason is that most people [...] have a residue of feeling that Darwinian evolution isn't quite big enough to explain everything about life. All I can say as a biologist is that the feeling disappears progressively the more you read about and study what is known about life and evolution. I want to add one thing more. The more you understand the significance of evolution, the more you are pushed away from the agnostic position and towards atheism. Complex, statistically improbable things are by their nature more difficult to explain than simple, statistically probable things.
I speak about universal evolution and teleological evolution, because I think the process of evolution reflects the wisdom of nature. I see the need for wisdom to become operative. We need to try to put all of these things together in what I call an evolutionary philosophy of our time.
Custom is the law of one description of fools, and fashion of another; but the two parties often clash--for precedent is the legislator of the first, and novelty of the last. Custom, therefore, looks to things that are past, and fashion to things that are present.
When I was about 13, I met the coolest, chicest young woman I had ever seen. She was a neighbor of mine who became a fashion designer and had a small design studio. She taught me so many things about style and fashion. I had always loved making things, so when she told me about her career in fashion, I knew I had found my path.
Moving to Dubai at age 9 and then the Congo, they were two completely opposite countries. But that brought me to music and taught me things that I never would have learned otherwise. And it was always about the rhythm in those two countries - that's why I love them.
Reincarnation, at least as I conceive it, does not nullify what we know about evolution and genetics. It suggests, however, that there may be two streams of evolution -- the biological one and a personal one -- and that during terrestrial lives these streams may interact.
You know, our fundamentalist friends dislike the teaching of evolution in schools because of the effect they feel it has on our view of our own special importance, while liberals insist that scientific and spiritual matters can be kept in separate compartments. On this point, I tend to agree with the fundamentalists, though I come to opposite conclusions about teaching evolution because I am convinced it's true.
What the fashion system says and what the fashion customer says are really two different things.
Art is not fashionable. That's why fashion and art are two different things. Fashion can never be art because fashion deals with whim, what is temporary, what changes, what is transient, what is now and not now. Art has to deal with issues that are timeless, that never change.
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