A Quote by Karl Lagerfeld
I like today and perhaps a little future still, but the past is really something I'm not interested in. So, as far as I'm concerned, I like only the past of things and people I don't know. When I know, I don't care because I knew how it was.
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I want women to really look like women from today. It's not from the past and not from the future, because I don't know what happens in the future. It is the woman of today (who) I think is a seductive woman.
I am interested in the past. Perhaps one of the reasons is we cannot make, cannot change the past. I mean you can hardly unmake the present. But the past after all is merely to say a memory, a dream. You know my own past seems continually changed when I am remembering it, or reading things that are interesting to me.
I'm a historian. I really like the past. But most people seem far more interested in what you can tell them about the future.
As far as me, I'm just looking forward to the future. There's a lot of people that look to the past. I've learned from the past, absolutely. I know my past absolutely. I'm not discrediting or... ignoring my past in any way, but my focus has always been moving forward, moving forward into the future.
Everything that happens today is like something in the past, but it's also unlike things in the past. We never know until an event happens if it's the similarities or differences that matter more.
You know, I think I understand what you're like now. You're very beautiful and you think men are only interested in you because you're beautiful. But you want them to be interested in you because you're you. The problem is, aside from all that beauty, you're not very interesting. You're rude, you're hostile, you're sullen, you're withdrawn... oh, I know- you want someone to look past all that at the real person underneath. But the only reason anyone would bother to look past all that is because you're beautful. Ironic, isn't it? In an odd way you're your own problem.
The Past is dead, and has no resurrection; but the Future is endowed with such a life, that it lives to us even in anticipation. The Past is, in many things, the foe of mankind; the Future is, in all things, our friend. In the Past is no hope; The Future is both hope and fruition. The Past is the text-book of tyrants; the Future is the Bible of the Free. Those who are solely governed by the Past stand like Lot's wife, crystallized in the act of looking backward, and forever incapable of looking before.
People feel that the beauty of the Istanbul is something we used to have in the past or something we will have in the future. But we have that beauty today, too, in the mixture of past and future. We have to save it today and we have to enjoy it today.
You can’t run away. The past will be only too happy to chase you —- in absolute, complete, and total earnest. Do you know why? Because they’re lonely. The past and memories are very lonely things. I don’t believe in God. Because he doesn’t have a fixed form. The past certainly does exist, even in a world where the future doesn’t have a fixed form. Even if it’s being colored by misunderstandings and delusions, a person’s past can’t be anything but the truth as long as he believes in it. If that’s what you base your actions or your way of life on, isn’t that like being god?
How little we know of what there is to know. I wish that I were going to live a long time instead of going to die today because I have learned much about life in these four days; more, I think than in all other time. I'd like to be an old man to really know. I wonder if you keep on learning or if there is only a certain amount each man can understand. I thought I knew so many things that I know nothing of. I wish there was more time.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
Who really can face the future? All you can do is project from the past, even when the past shows that such projections are often wrong. And who really can forget the past? What else is there to know?
But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past - or more accurately, pastness - is a position. Thus, in no way can we identify the past as past
Your whole past hangs around you with nothing completed - because nothing has been lived really, everything somehow bypassed, partially lived, only so-so, in a lukewarm way. There has been no intensity, no passion. You have been moving like a somnambulist, a sleepwalker. So that past hangs, and the future creates fear. And between the past and the future is crushed your present, the only reality.
We're not the Faster-than-the-Speed-of-Light Generation anymore. We're not even the Next-New-Thing Generation. We're the Soon-to-Be-Obsolete Kids, and we've crowded in here to hide from the future and the past. We know what's up - the future looms straight ahead like a black wrought-iron gate and the past is charging after us like a badass Doberman, only this one doesn't have any letup in him.
And we should forget, day by day, what we have done; this is true non-attachment. And we should do something new. To do something new, of course we must know our past, and this is alright. But we should not keep holding onto anything we have done; we should only reflect on it. And we must have some idea of what we should do in the future. But the future is the future, the past is the past; now we should work on something new.
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