A Quote by Karl Lagerfeld

Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.
One day work is hard, and another day it is easy; but if I had waited for inspiration I am afraid I should have done nothing. The miner does not sit at the top of the shaft waiting for the coal to come bubbling up to the surface. One must go deep down, and work out every vein carefully.
I have learned, as has many another better writer, to summon inspiration to my call as soon as I begin my day's stint, and not to hang around waiting for it. Inspiration is merely a pretty phrase for the zest to work. And it can be cultivated by anyone who has the patience to try. Inspiration that will not come at its possessor's summons is like a dog that cannot be trained to obey. The sooner both are gotten rid of, the better.
A muse is something that serves a poet well early in his or her career. In later years one writers out of one's own driven inspiration. One learns to find inspiration rather than waiting for it to come for a visit. I can find inspiration almost anywhere.
I'm often wary of using the word 'inspiration' to introduce my work -- it sounds too much like a sun shower from the heavens, absorbed by a passive individual enjoying an especially receptive moment. While that may be the case on rare occasions, the reality is usually far more prosaic. Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.
If something inspires you, try and hold on to that inspiration because if you lose that inspiration, what do you have left? If music is your inspiration and it brings you together with friends, family or loved ones and that's the core of it, then always have it. Always draw from it.
I believe that the source of your inspiration is very important. I sometimes see this problem with photographers, even very good ones, who have drawn too much inspiration from photography and who, over time, have a problem forming their own identity.
Imitation is not inspiration, and inspiration only can give birth to a work of art. The least of man's original emanation is better than the best of borrowed thought.
The greatest source of inspiration is hard work. Of course, I also believe in inspiration itself, but sometimes you have to provoke it, call on it repeatedly, even though it may take a while. There are times when I feel uninspired and I don't want to compose. I call these my 'bewitched' periods. I have to be touched with a magic wand.
There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest (inspiration) does not always respond to the first invitation. We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can master their disinclination.
A good short story is a work of art which daunts us in proportion to its brevity.... No inspiration is too noble for it; no amountof hard work is too severe for it.
My inspiration comes from so many things, it is hard to give credit to one. I find music of all kinds to be a great inspiration. A melody or a lyric can fire my imagination. Exercise is another. Endorphins fuel my thoughts - I tend to work out scenes and dialogue when I am exercising. Reading is also a great inspiration.
Just as appetite comes by eating, so work brings inspiration, if inspiration is not discernible at the beginning.
Inspiration is for amateurs. professionals work everyday. Personally the best inspiration is a deadline.
When you talk about inspiration, I draw inspiration from life. The people that I work with.
If criticism has made such discoveries as to necessitate the abandonment of the doctrine of plenary inspiration, it is not enough to say that we are compelled to abandon only a "particular theory of inspiration..." We must go on to say that that "particular theory of inspiration" is the theory of the apostles and of the Lord, and that in abandoning it we are abandoning them.
People need hope and inspiration desperately. But hope and inspiration are only sustained by work.
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