A Quote by Karl Malone

Forget the technique. Hit the guy across from you. Don't let somebody come in your space. — © Karl Malone
Forget the technique. Hit the guy across from you. Don't let somebody come in your space.
I'm not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun. I hit 70 one time on a radar guy at one of those pitch-and-throw kind of things. I have a pretty good arm for somebody who's not a baseball player.
A bad guy in a movie has a lot of latitude for acting. He can walk up the wall, crawl across the ceiling, go piss in the corner and everybody will say, "Fantastic!" But somebody's going to have to catch that sucker. Somebody's going to have to play the guy who gets him in the end. And that's a better part.
Then come the lights shining on you from above. You are a performer. You forget all you learned, the process of technique, the fear, the pain, you even forget who you are you become one with the music, the lights, indeed one with the dance.
Getting hit if you throw it... Getting hit if you don't throw it... The problem is whether you're getting hit by a strong guy or by a little less strong guy. But the truth is, the real problem is that your life will be just like this even in the future. Why? Because when we become adults, we'll be your boss.
Adaption of the human body in space is not yet mastered. As soon as you hit space, you feel your body is going through a period of mutation. There's no blood in your head; you have a hard time swallowing. We're not born to naturally be in space.
The artist must forget the audience, forget the critics, forget the technique, forget everything but love for the music. Then, the music speaks through the performance, and the performer and the listener will walk together with the soul of the composer, and with God.
I hope somebody hits .400 soon. Then people can start pestering that guy with questions about the last guy to hit .400.
If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
Lionel Richie told me forget about the critics. But if you come back with hit after hit, you don't have to worry about anything.
If you run across a dog driving, would you ever forget that? You could never forget that, that bump. It'll haunt you for the rest of your life. Imagine if you killed a human being. You're not going to forget that. Well, I killed many.
Tyrone, I think they're taking to festivals. I don't know which festivals it will be at. It's like a buddy picture. It's a couple of guys driving across the country and they get to a small town and they hit a guy. The guy turns out to be a drug smuggler.
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
They want somebody to hit home runs, and I can be that guy. Why not me, right?
I am a very technical guy. I'm proud of my technique, my fluidity, and my skill; that's what I work on every day. I try to out-technique guys.
But the guy who got hit and still tried to get in line, then gets hit again, that's the guy I will take with me on the field every day.
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