A Quote by Karl Marx
The writer must earn money in order to be able to live and to write, but he must by no means live and write for the purpose of making money.
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In order to be able to live at all in America I must be unafraid to live anywhere in it, and I must be able to live in the fashion and with whom I choose.
You have to live in order to have something to write about - you get caught up in moviemaking and celebrities and money, and it's very intoxicating, but it doesn't give you what you need as a writer. You have to do something else for that.
Is money money or isn't money money. Everybody who earns
it and spends it every day in order to live knows
that money is money, anybody who votes it to be
gathered in as taxes knows money is not money. That
is what makes everybody go crazy.... When you earn
money and spend money every day anybody can know the
difference between a million and three. But when you
vote money away there really is not any difference
between a million and three.
The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously
In order to write about life first you must live it.
The world says that time is money, but I say that money is time. In order to earn enough money to satisfy his desires, one must sacrifice inordinate amounts of time. For me, that sacrifice is too great.
Remember that government doesn't earn one single dollar it spends. In order for you to get money from the government, that money must first be taken from somebody else.
With regard to life, modern painting is a revolutionary activity…We need it in order to transform the world into a more humane place where mankind can live in liberty…We must accept these things with passion. It means that we must live imaginatively.
I had to learn, as I soon did, that one must give up everything and not do anything else but write, that one must writer and write and write, even if everybody in the world advises you against it, even if nobody believes in you.
If you want to be a writer, all you need is a piece of paper and a pencil, and I had a manual typewriter. It doesn't cost money to write. It costs money to make art. So I would just write. I would hand out stories in the classes in high school. And the teacher would say, "Whatever you do, don't become a writer."
The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and if they publish it, maybe no one will read it. That is the hard truth, that is what it means to be a writer.
Don't write for money. Write because you love to do something. If you write for money, you won't write anything worth reading.
Now, success is not the result of making money; making money is the result of success - and success is in direct proportion to our service. Most people have this law backwards. They believe that you're successful if you earn a lot of money. The truth is that you can only earn money after you're successful.
If we are to survive the Atomic Age, we must have something to live by, to live on, and to live for. We must stand aside from the world's conspiracy of fear and hate and grasp once more the great monosyllables of life: faith, hope and love. Men must live by these if they live at all under the crushing weight of history.
Productivity is a relative matter. And it's really insignificant: What is ultimately important is a writer's strongest books. It may be the case that we all must write many books in order to achieve a few lasting ones - just as a young writer or poet might have to write hundreds of poems before writing his first significant one.
In order to be able to write well upon a subject, one must have ceased to be interested in it; the thought which is to be soberlyexpressed must already be entirely past and no longer be one's actual concern.
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