A Quote by Karl Marx

Greek philosophy seems to have met with something with which a good tragedy is not supposed to meet, namely, a dull ending. — © Karl Marx
Greek philosophy seems to have met with something with which a good tragedy is not supposed to meet, namely, a dull ending.
Modern romance, like Greek tragedy, celebrates the mystery of dismemberment, which is life in time. The happy ending is justly scorned as a misrepresentation; for the world, as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved.
We all know what tragedy is. "Yes, I'd rather not have any more tragedy, please. I'll have comedy, please." Comedy, in the Greek sense, only means that it has a happy ending.
Maybe my movie isn't over, I say, because sometimes moviemakers trick the audience with a false bad ending, and just when you think the movie is going to end badly, something dramatic happens, which leads to the happy ending. This seems like a good spot for something dramatic to happen, especially since it's my birthday.
Gangster movies are the inheritor of the Greek tragedy: it's the only genre where the audience will be disappointed if there's not a tragic ending.
Permaculture is not the movement of sustainability and it is not the philosophy behind it; it is the problem-solving approach the movement and the philosophy can use to meet their goals and design a world in which human needs are met while enhancing the health of this miraculous planet that supports us.
I am wonderfully pleased when I meet with any passage in an old Greek or Latin author, that is not blown upon, and which I have never met with in any quotation.
Since philosophy is the exploration of the rational, it is for that very reason the apprehension of the present and the actual, not the erection of a beyond, supposed to exist, God knows where, or rather which exists, and we can perfectly well say where, namely in the error of a one-sided, empty, ratiocination.
I always think a good sports movie is emblematic in the same way that a great Greek tragedy really has a certain kind of structure, or a Shakespearean play if you're looking at a comedy or a tragedy, is that these are the heights and depths of human emotion.
I came into acting with that sort of dull, meet-with-triumph-and-disaster-the-same philosophy and it's been the right one for me.
Men of success meet with tragedy. It was the will of God that I won the Olympics, and it was the will of God that I met with my accident. I accepted those victories as I accept this tragedy. I have to accept both circumstances as facts of life and live happily.
We are usually told that democracy originated in ancient Athens - like science, or philosophy, it was a Greek invention. It's never entirely clear what this is supposed to mean. Are we supposed to believe that before the Athenians, it never really occurred to anyone, anywhere, to gather all the members of their community in order to make joint decisions in a way that gave everyone equal say?
'Greek Street' is a very strange beast. I think of it as 'The Long Good Friday' meets 'Agamemnon.' A way of using those fantastically rich stories from Greek tragedy to take a look at our world and to explore some of the things I think about this world.
When one begins to reflect on philosophy—then philosophy seems to us to be everything, like God, and love. It is a mystical, highly potent, penetrating idea—which ceaselessly drives us inward in all directions. The decision to do philosophy—to seek philosophy is the act of self-liberation—the thrust toward ourselves.
I met Clinton at a benefit for teachers, which was a very good charity, but I met him for about 90 seconds, and I thought it was important to meet the leader of the free world. So I stood next to him for a photograph, and then apparently that's all it takes.
Versatility is one of the few human traits which are universally intolerable. You may be good at Greek and good at painting and be popular. You may be good at Greek and good at sport, and be wildly popular. But try all three and you’re a mountebank. Nothing arouses suspicion quicker than genuine, all-round proficiency.
It seems every white receiver has the same thing said about him: He's supposed to be good on third and five. He's supposed to run good pass routes.
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